Forgive, O Lord, my little jokes on Thee
And I'll forgive the great big one on me.



Excerpts from "More Poems"
by A. E. Housman

XXIII

Crossing alone the nighted ferry
With the one coin for fee,
Whom, on the wharf of Lethe waiting,
Count you to find? Not me.

The brisk fond lackey to fetch and carry,
The true, sick-hearted slave,
Expect him not in the just city
And free land of the grave.



Wild Asters
by Sara Teasdale

In the spring I asked the daisies
  If his words were true,
And the clever, clear-eyed daisies
  Always knew.

Now the fields are brown and barren,
  Bitter autumn blows,
And of all the stupid asters
  Not one knows.



Song
by Christina Rossetti

When I am dead, my dearest,
  Sing no sad songs for me;
Plant thou no roses at my head,
  Nor shady cypress tree:
Be the green grass above me
  With showers and dewdrops wet;
And if thou wilt, remember,
  And if thou wilt, forget.

I shall not see the shadows,
  I shall not feel the rain;
I shall not hear the nightingale
  Sing on, as if in pain:
And dreaming through the twilight
  That doth not rise nor set,
Haply I may remember,
  And haply may forget.



The Listeners
by Walter De La Mare

'Is there anybody there?' said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest's ferny floor:
And a bird flew up out of the turret,
Above the Traveller's head
And he smote upon the door again a second time;
'Is there anybody there?' he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller's call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
'Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:—
'Tell them I came, and no one answered,
That I kept my word,' he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.



Directive
by Robert Frost

Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you'll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry –
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there's a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods' excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone's road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you're lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left's no bigger than a harness gall.
First there's the children's house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny's
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can't find it,
So can't get saved, as Saint Mark says they mustn't.
(I stole the goblet from the children's playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.



Luke Havergal
by Edward Arlington Robinson

Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen, she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.

No, there is not a dawn in eastern skies
To rift the fiery night that's in your eyes;
But there, where western glooms are gathering
The dark will end the dark, if anything:
God slays Himself with every leaf that flies,
And hell is more than half of paradise.
No, there is not a dawn in eastern skies—
In eastern skies.

Out of a grave I come to tell you this,
Out of a grave I come to quench the kiss
That flames upon your forehead with a glow
That blinds you to the way that you must go.
Yes, there is yet one way to where she is,
Bitter, but one that faith may never miss.
Out of a grave I come to tell you this—
To tell you this.

There is the western gate, Luke Havergal,
There are the crimson leaves upon the wall,
Go, for the winds are tearing them away,—
Nor think to riddle the dead words they say,
Nor any more to feel them as they fall;
But go, and if you trust her she will call.
There is the western gate, Luke Havergal—
Luke Havergal.



Excerpts from "More Poems"
by A. E. Housman

XXX

Shake hands, we shall never be friends, all's over;
I only vex you the more I try.
All's wrong that ever I've done or said,
And nought to help it in this dull head:
Shake hands, here's luck, good-bye.

But if you come to a road where danger
Or guilt or anguish or shame's to share,
Be good to the lad that loves you true
And the soul that was born to die for you,
And whistle and I'll be there.



On My First Son
by Ben Jonson

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, loved boy.
Seven years thou wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon 'scaped world's and flesh's rage,
And, if no other misery, yet age?
Rest in soft peace, and asked, say, "Here doth lie
Ben Jonson his best piece of poetry,
For whose sake, henceforth, all his vows be such
As what he loves may never like too much."



I Knew A Woman
by Theodore Roethke

I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.)

How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and stand;
She taught me Touch, that undulant white skin:
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing did we make.)

Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved.)

Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways.)



Exile
by Hart Crane

My hands have not touched pleasure since your hands,—
No,—nor my lips freed laughter since 'farewell',
And with the day, distance again expands
Voiceless between us, as an uncoiled shell.

Yet love endures, though starving and alone.
A dove's wings cling about my heart each night
With surging gentleness, and the blue stone
Set in the tryst-ring has but worn more bright.



The Broken Tower
by Hart Crane

The bell-rope that gathers God at dawn
Dispatches me as though I dropped down the knell
Of a spent day — to wander the cathedral lawn
From pit to crucifix, feet chill on steps from hell.

Have you not heard, have you not seen that corps
Of shadows in the tower, whose shoulders sway
Antiphonal carillons launched before
The stars are caught and hived in the sun's ray?

The bells, I say, the bells break down their tower;
And swing I know not where. Their tongues engrave
Membrane through marrow, my long-scattered score
Of broken intervals ... And I, their sexton slave!

Oval encyclicals in canyons heaping
The impasse high with choir. Banked voices slain!
Pagodas campaniles with reveilles out leaping —
O terraced echoes prostrate on the plain! ...

And so it was I entered the broken world
To trace the visionary company of love, its voice
An instant in the wind (I know not whither hurled)
But not for long to hold each desperate choice.

My word I poured. But was it cognate, scored
Of that tribunal monarch of the air
Whose thighs embronzes earth, strikes crystal Word
In wounds pledged once to hope — cleft to despair?

The steep encroachments of my blood left me
No answer (could blood hold such a lofty tower
As flings the question true?) — or is it she
Whose sweet mortality stirs latent power? —

And through whose pulse I hear, counting the strokes
My veins recall and add, revived and sure
The angelus of wars my chest evokes:
What I hold healed, original now, and pure ...

And builds, within, a tower that is not stone
(Not stone can jacket heaven) — but slip
Of pebbles, — visible wings of silence sown
In azure circles, widening as they dip

The matrix of the heart, lift down the eyes
That shrines the quiet lake and swells a tower ...
The commodious, tall decorum of that sky
Unseals her earth, and lifts love in its shower.



Excerpts from "More Poems"
by A. E. Housman

XXXI

Because I liked you better
Than suits a man to say,
It irked you, and I promised
To throw the thought away.

To put the world between us
We parted, stiff and dry;
'Good-bye,' said you, 'forget me.'
'I will, no fear', said I.

If here, where clover whitens
The dead man's knoll, you pass,
And no tall flower to meet you
Starts in the trefoiled grass,

Halt by the headstone naming
The heart no longer stirred,
And say the lad that loved you
Was one that kept his word.



It Is A Beauteous Evening, Calm And Free
by William Wordsworth

It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o'er the Sea:
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouched by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year;
And worship'st at the Temple's inner shrine,
God being with thee when we know it not.



Ozymandias
by Percy Bysshe Shelley

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.



The Balloon Of The Mind
by William Butler Yeats

Hands, do what you're bid;
Bring the balloon of the mind
That bellies and drags in the wind
Into its narrow shed.



Mouse's Nest
by John Clare

I found a ball of grass among the hay
And progged it as I passed and went away;
And when I looked I fancied something stirred,
And turned again and hoped to catch the bird —
When out an old mouse bolted in the wheats
With all her young ones hanging at her teats;
She looked so odd and so grotesque to me,
I ran and wondered what the thing could be,
And pushed the knapweed bunches where I stood;
Then the mouse hurried from the craking brood.
The young ones squeaked, and as I went away
She found her nest again among the hay.
The water o'er the pebbles scarce could run
And broad old cesspools glittered in the sun.

Our thanks to Dr. Edward Zuk for suggesting the inclusion of the poem above.



Excerpts from "More Poems"
by A. E. Housman

XXXVI

Here dead we lie we because we did not choose
To live and shame the land from which we sprung.
Life, to be sure, is nothing much to lose;
But young men think it is, and we were young.



Sonnet 147
by William Shakespeare

My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest.
My thoughts and my discourse as madmen's are,
At random from the truth vainly expressed,
       For I have sworn thee fair, and thought thee bright,
       Who art as black as Hell, as dark as night.



To the Moon
by Percy Bysshe Shelley

Art thou pale for weariness
Of climbing heaven, and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,—
And ever-changing, like a joyless eye
That finds no object worth its constancy?



Do Not Go Gentle Into That Good Night
by Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.



A light exists in spring
by Emily Dickinson

A light exists in Spring
Not present on the year
At any other period—
When March is scarcely here

A color stands abroad
On solitary fields
That science cannot overtake
But human nature feels.

It waits upon the lawn,
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.

Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:

A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.



Excerpts from "More Poems"
by A. E. Housman

XL

Farewell to a name and a number
Recalled again
To darkness and silence and slumber
In blood and pain.

So ceases and turns to the thing
He was born to be
A soldier cheap to the King
And dear to me;

So smothers in blood the burning
And flaming flight
Of valour and truth returning
To dust and night.



London
by William Blake

I wander thro' each charter'd street,
Near where the charter'd Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infant's cry of fear,
In every voice, in every ban,
The mind-forg'd manacles I hear.
How the Chimney-sweeper's cry
Every blackning Church appalls,
And the hapless Soldier's sigh
Runs in blood down Palace walls.
But most thro' midnight streets I hear
How the youthful Harlot's curse
Blasts the new-born Infant's tear
And blights with plagues the Marriage hearse.



Love's Secret
by William Blake

Never seek to tell thy love,
Love that never told can be;
For the gentle wind does move
Silently, invisibly.

I told my love, I told my love,
I told her all my heart;
Trembling, cold, in ghastly fears,
Ah! she did depart!

Soon as she was gone from me,
A traveler came by,
Silently, invisibly
He took her with a sigh.



Song
by John Donne

Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devils foot;
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.

If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights
Till Age snow white hairs on thee;
Thou, when thou return'st wilt tell me
All strange wonders that befell thee,
And swear
No where
Lives a woman true and fair.

If thou find'st one let me know;
Such a pilgrimage were sweet.
Yet do not; I would not go,
Though at next door we might meet.
Though she were true when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two or three.



Excerpts from "More Poems"
by A. E. Housman

XLVII - For My Funeral

O thou that from thy mansion
Through time and place to roam,
Dost send abroad thy children,
And then dost call them home,

That men and tribes and nations
And all thy hand hath made
May shelter them from sunshine
In thine eternal shade:

We now to peace and darkness
And earth and thee restore
Thy creature that thou madest
And wilt cast forth no more.



Naming of Parts
by Henry Reed

"Vixi duellis nuper idoneus
Et militavi non sine glori"

Today we have naming of parts. Yesterday,
We had daily cleaning. And tomorrow morning,
We shall have what to do after firing. But today,
Today we have naming of parts. Japonica
Glistens like coral in all of the neighboring gardens,
   And today we have naming of parts.

This is the lower sling swivel. And this
Is the upper sling swivel, whose use you will see
When you are given your slings. And this is the piling swivel,
Which in your case you have not got. The branches
Hold in the gardens their silent, eloquent gestures,
   Which in our case we have not got.

This is the safety-catch, which is always released
With an easy flick of the thumb. And please do not let me
See anyone using his finger. You can do it quite easily
If you have any strength in your thumb. The blossoms
Are fragile and motionless, never letting anyone see
   Any of them using their finger.

And this you can see is the bolt. The purpose of this
Is to open the breech, as you see. We can slide it
Rapidly backwards and forwards: we call this
Easing the spring. And rapidly backwards and forwards
The early bees are assaulting and fumbling the flowers:
   They call it easing the Spring.

They call it easing the Spring: it is perfectly easy
If you have any strength in your thumb: like the bolt,
And the breech, and the cocking-piece, and the point of balance,
Which in our case we have not got; and the almond-blossom
Silent in all of the gardens and the bees going backwards and forwards,
   For today we have naming of parts.



Minstrel Man
by Langston Hughes

Because my mouth
Is wide with laughter
And my throat
Is deep with song,
You did not think
I suffer after
I've held my pain
So long.

Because my mouth
Is wide with laughter
You do not hear
My inner cry:
Because my feet
Are gay with dancing,
You do not know
I die.



Dinner Guest: Me
by Langston Hughes

I know I am
The Negro Problem
Being wined and dined,
Answering the usual questions
That come to white mind
Which seeks demurely
To Probe in polite way
The why and wherewithal
Of darkness U.S.A.—
Wondering how things got this way
In current democratic night,
Murmuring gently
Over fraises du bois,
"I'm so ashamed of being white."

The lobster is delicious,
The wine divine,
And center of attention
At the damask table, mine.
To be a Problem on
Park Avenue at eight
Is not so bad.
Solutions to the Problem,
Of course, wait.



Uphill
by Christina Rossetti

Does the road wind up-hill all the way?
    Yes, to the very end.
Will the day's journey take the whole long day?
    From morn to night, my friend.

But is there for the night a resting-place?
    A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
    You cannot miss that inn.

Shall I meet other wayfarers at night?
   Those who have gone before.
Then must I knock, or call when just in sight?
   They will not keep you standing at that door.

Shall I find comfort, travel-sore and weak?
   Of labour you shall find the sum.
Will there be beds for me and all who seek?
   Yea, beds for all who come.



The earliest Old English poem still extant today is probably "Cædmon's Hymn," which was composed sometime between 658 and 680 AD. According to the scholar Bede (673-735), Cædmon was an illiterate herdsman who worked at the monastery of Whitby, a small English fishing village. Cædmon, as Bede's story goes, was given the gift of poetic composition by an angel.

Cædmon's Hymn

loose translation by Michael R. Burch

Now we must honour heaven-kingdom's Guardian,
the might of the Architect and his mind-plans,
the work of the Glory-Father. First he, the eternal Lord,
established the foundation of wonders.
Then he, the first Poet, created heaven as a roof
for the sons of men, holy Creator,
Guardian of mankind. Then he, the eternal Lord,
afterwards made the middle earth for men, Master almighty.

Lines from "Cædmon's Hymn" are reminiscent of the much later work of Gerard Manley Hopkins. For instance, compare the first line above to certain lines from this poem by Hopkins:



The Windhover
by Gerard Manley Hopkins

I caught this morning morning's minion, king-
  dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
  Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
  As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
  Rebuffed the big wind. My heart in hiding
Stirred for a bird,—the achieve of; the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
  Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

  No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
  Fall, gall themselves, and gash gold-vermillion.

Our thanks to Tony Marco for suggesting the inclusion of the poem above.



Time, Real And Imaginary
by Samuel Taylor Coleridge

On the wide level of a mountain's head,
(I knew not where, but 'twas some faery place)
Their pinions, ostrich-like, for sails out-spread,
Two lovely children run an endless race,
          A sister and a brother!
          This far outstripp'd the other;
Yet ever runs she with reverted face,
And looks and listens for the boy behind:
          For he, alas! is blind!
O'er rough and smooth with even step he passed,
And knows not whether he be first or last.



Composed Upon Westminster Bridge, September 3, 1802
by William Wordsworth

Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!



The Fitful Alternations Of The Rain
by Percy Bysshe Shelley

The fitful alternations of the rain,
When the chill wind, languid as with pain
Of its own heavy moisture, here and there
Drives through the gray and beamless atmosphere.



A Red, Red Rose
by Robert Burns

Oh my luve is like a red, red rose,
That's newly sprung in June:
Oh my luve is like the melodie,
That's sweetly play'd in tune.

As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
And I will luve thee still, my dear,
While the sands o' life shall run.

And fare thee weel, my only luve!
And fare thee weel a while!
And I will come again, my luve,
Tho' it were ten thousand mile!



The Garden Of Love
by William Blake

I laid me down upon a bank,
Where Love lay sleeping;
I heard among the rushes dank
Weeping, weeping.

Then I went to the heath and the wild,
To the thistles and thorns of the waste;
And they told me how they were beguiled,
Driven out, and compelled to the chaste.

I went to the Garden of Love,
And saw what I never had seen;
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut
And "Thou shalt not," writ over the door;
So I turned to the Garden of Love
That so many sweet flowers bore.

And I saw it was filled with graves,
And tombstones where flowers should be;
And priests in black gowns were walking their rounds,
And binding with briars my joys and desires.



The World Is Too Much With Us
by William Wordsworth

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.—Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.



Advice to a Girl
by Sara Teasdale

No one worth possessing
Can be quite possessed;
Lay that on your heart,
My young angry dear;
This truth, this hard and precious stone,
Lay it on your hot cheek,
Let it hide your tear.
Hold it like a crystal
When you are alone
And gaze in the depths of the icy stone.
Long, look long and you will be blessed:
No one worth possessing
Can be quite possessed.



The Solitary
by Sara Teasdale

My heart has grown rich with the passing of years,
   I have less need now than when I was young
To share myself with every comer
   Or shape my thoughts into words with my tongue.
It is one to me that they come or go
   If I have myself and the drive of my will,
And strength to climb on a summer night
   And watch the stars swarm over the hill.
Let them think I love them more than I do,
   Let them think I care, though I go alone;
If it lifts their pride, what is it to me
   Who am self-complete as a flower or a stone.

Afton Water
by Robert Burns

Flow gently, sweet Afton, among thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.
Thou stock-dove, whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forbear,
I charge you disturb not my slumbering fair.
How lofty, sweet Afton, thy neighbouring hills,
Far mark'd with the courses of clear winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.
How pleasant thy banks and green valleys below,
Where wild in the woodlands the primroses blow;
There oft, as mild Ev'ning sweeps over the lea,
The sweet-scented birk shades my Mary and me.
Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides,
How wanton thy waters her snowy feet lave,
As gathering sweet flowrets she stems thy clear wave.
Flow gently, sweet Afton, among thy green braes,
Flow gently, sweet river, the theme of my lays;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.



Excerpts from "More Poems"
by A. E. Housman

I - Easter Hymn

If in that Syrian garden, ages slain,
You sleep, and know not you are dead in vain,
Nor even in dreams behold how dark and bright
Ascends in smoke and fire by day and night
The hate you died to quench and could but fan,
Sleep well and see no morning, son of man.

But if, the grave rent and the stone rolled by,
At the right hand of majesty on high
You sit, and sitting so remember yet
Your tears, your agony and bloody sweat,
Your cross and passion and the life you gave,
Bow hither out of heaven and see and save.



Cold-Blooded Creatures
by Elinor Morton Wylie

Man, the egregious egoist
(In mystery the twig is bent)
Imagines, by some mental twist,
That he alone is sentient

Of the intolerable load
That on all living creatures lies,
Nor stoops to pity in the toad
The speechless sorrow of his eyes.

He asks no questions of the snake,
Nor plumbs the phosphorescent gloom
Where lidless fishes, broad awake,
Swim staring at a nightmare doom.



Cargoes
by John Masefield

Quinquireme of Nineveh from distant Ophir,
Rowing home to haven in sunny Palestine,
With a cargo of ivory,
And apes and peacocks,
Sandalwood, cedarwood, and sweet white wine.

Stately Spanish galleon coming from the Isthmus,
Dipping through the Tropics by the palm-green shores,
With a cargo of diamonds,
Emeralds, amethysts,
Topazes, and cinnamon, and gold moidores.

Dirty British coaster with a salt-caked smoke stack,
Butting through the Channel in the mad March days,
With a cargo of Tyne coal,
Road-rails, pig-lead,
Firewood, iron-ware, and cheap tin trays.

A quinquireme is ancient galley with five banks of oars on each side. A moidore is a Portuguese golden coin.



Dreams
by Langston Hughes

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.



A Dream Deferred
by Langston Hughes

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?



Jerusalem
by William Blake

And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?

And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic mills?

Bring me my bow of burning gold:
Bring me my arrows of desire:
Bring me my spear: O clouds unfold!
Bring me my chariot of fire.

I will not cease from mental fight,
Nor shall my sword sleep in my hand
Till we have built Jerusalem
In England's green and pleasant land.



The Unreturning
by Wilfred Owen

Suddenly night crushed out the day and hurled
Her remnants over cloud-peaks, thunder-walled.
Then fell a stillness such as harks appalled
When far-gone dead return upon the world.

There watched I for the Dead; but no ghost woke.
Each one whom Life exiled I named and called.
But they were all too far, or dumbed, or thralled,
And never one fared back to me or spoke.

Then peered the indefinite unshapen dawn
With vacant gloaming, sad as half-lit minds,
The weak-limned hour when sick men's sighs are drained.
And while I wondered on their being withdrawn,
Gagged by the smothering Wing which none unbinds,
I dreaded even a heaven with doors so chained.



On His Seventy-Fifth Birthday
by Walter Savage Landor

I strove with none, for none was worth my strife;
Nature I loved, and next to Nature, Art;
I warmed both hands before the fire of Life;
It sinks, and I am ready to depart.



First Fig
by Edna St. Vincent Millay

My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!



The Sick Rose
by William Blake

O Rose, thou art sick.
The invisible worm
That flies in the night
In the howling storm
Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy.



Music When Soft Voices Die (To —)
by Percy Bysshe Shelley

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the belovèd's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.



Methought I Saw
by John Milton

Methought I saw my late espousèd saint
     Brought to me like Alcestis from the grave,
     Whom Jove's great son to her glad husband gave,
     Rescued from Death by force, though pale and faint.
Mine, as whom washed from spot of childbed taint
     Purification in the Old Law did save,
     And such, as yet once more I trust to have
     Full sight of her in Heaven without restraint,
Came vested all in white, pure as her mind.
     Her face was veiled; yet to my fancied sight
     Love, sweetness, goodness, in her person shined
So clear as in no face with more delight.
     But O, as to embrace me she inclined,
     I waked, she fled, and day brought back my night.



To Emily Dickinson
by Hart Crane

You who desired so much—in vain to ask—
Yet fed your hunger like an endless task,
Dared dignify the labor, bless the quest—
Achieved that stillness ultimately best,

Being, of all, least sought for: Emily, hear!
O sweet, dead Silencer, most suddenly clear
When singing that Eternity possessed
And plundered momently in every breast;

—Truly no flower yet withers in your hand,
The harvest you descried and understand
Needs more than wit to gather, love to bind.
Some reconcilement of remotest mind—

Leaves Ormus rubyless, and Ophir chill.
Else tears heap all within one clay-cold hill.



To The Virgins, To Make Much Of Time
by Robert Herrick

Gather ye rose-buds while ye may,
   Old Time is still a-flying:
And this same flower that smiles today
   Tomorrow will be dying.
The glorious lamp of heaven, the sun,
   The higher he's a-getting;
The sooner will his race be run,
   And nearer he's to setting.
That age is best which is the first,
   When youth and blood are warmer;
But being spent, the worse, and worst
   Times still succeed the former.
Then be not coy, but use your time,
   And while ye may, go marry:
For having lost but once your prime,
   You may for ever tarry.



Virtue
by George Herbert

Sweet day, so cool, so calm, so bright!
The bridal of the earth and sky—
The dew shall weep thy fall to-night;
      For thou must die.

Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye,
Thy root is ever in its grave,
      And thou must die.

Sweet spring, full of sweet days and roses,
A box where sweets compacted lie,
My music shows ye have your closes,
      And all must die.

Only a sweet and virtuous soul,
Like season'd timber, never gives;
But though the whole world turn to coal,
      Then chiefly lives.



A Slumber Did My Spirit Steal
by William Wordsworth

A slumber did my spirit seal;
    I had no human fears:
She seemed a thing that could not feel
    The touch of earthly years.

No motion has she now, no force;
    She neither hears nor sees;
Rolled round in earth's diurnal course,
    With rocks, and stones, and trees.



Cirque d'Hiver
by Elizabeth Bishop

Across the floor flits the mechanical toy,
fit for a king of several centuries back.
A little circus horse with real white hair.
His eyes are glossy black.
He bears a little dancer on his back.

She stands upon her toes and turns and turns.
A slanting spray of artificial roses
is stitched across her skirt and tinsel bodice.
Above her head she poses
another spray of artificial roses.

His mane and tail are straight from Chirico.
He has a formal, melancholy soul.
He feels her pink toes dangle toward his back
along the little pole
that pierces both her body and her soul

and goes through his, and reappears below,
under his belly, as a big tin key.
He canters three steps, then he makes a bow,
canters again, bows on one knee,
canters, then clicks and stops, and looks at me.

The dancer, by this time, has turned her back.
He is the more intelligent by far.
Facing each other rather desperately—
his eye is like a star—
we stare and say, "Well, we have come this far."



One Art
by Elizabeth Bishop

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.



The Fish
by Elizabeth Bishop

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
—the frightening gills,
fresh and crisp with blood,
that can cut so badly—
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
—It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
—if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels—until everything
was rainbow, rainbow, rainbow!
And I let the fish go.



The Armadillo
by Elizabeth Bishop

for Robert Lowell

This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,

rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.

Once up against the sky it's hard
to tell them from the stars —
planets, that is — the tinted ones:
Venus going down, or Mars,

or the pale green one. With a wind,
they flare and falter, wobble and toss;
but if it's still they steer between
the kite sticks of the Southern Cross,

receding, dwindling, solemnly
and steadily forsaking us,
or, in the downdraft from a peak,
suddenly turning dangerous.

Last night another big one fell.
It splattered like an egg of fire
against the cliff behind the house.
The flame ran down. We saw the pair

of owls who nest there flying up
and up, their whirling black-and-white
stained bright pink underneath, until
they shrieked up out of sight.

The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down,

and then a baby rabbit jumped out,
short-eared, to our surprise.
So soft! — a handful of intangible ash
with fixed, ignited eyes.

Too pretty, dreamlike mimicry!
O falling fire and piercing cry
and panic, and a weak mailed fist
clenched ignorant against the sky!



Roman Fountain
by Louise Bogan

Up from the bronze, I saw
Water without a flaw
Rush to its rest in air,
Reach to its rest, and fall.

Bronze of the blackest shade,
An element man-made,
Shaping upright the bare
Clear gouts of water in air.

O, as with arm and hammer,
Still it is good to strive
To beat out the image whole,
To echo the shout and stammer
When full-gushed waters, alive,
Strike on the fountain's bowl
After the air of summer.



The Fountain Of Blood
by Charles Baudelaire, as translated by Rachel Hadas

A fountain's pulsing sobs—like this my blood
Measures its flowing, so it sometimes seems.
I hear a gentle murmur as it streams;
Where the wound lies I've never understood.

Like water meadows, boulevards are flooded.
Cobblestones, crisscrossed by scarlet rills,
Are islands; creatures come and drink their fill.
Nothing in nature now remains unblooded.

I used to hope that wine could bring me ease,
Could lull asleep my deeply gnawing mind.
I was a fool: the senses clear with wine.

I looked to Love to cure my old disease.
Love led me to a thicket of IVs
Where bristling needles thirsted for each vein.



Hope Is A Thing With Feathers
by Emily Dickinson

Hope is a thing with feathers
That perches in the soul
And sings a tune without words
And never stops at all.

And sweetest, in the gale, is heard
And sore must be the storm
That could abash the little bird
That keeps so many warm.

I’ve heard it in the chilliest land
And on the strangest sea
Yet, never, in extremity
It ask a crumb of me.



in Just-
by E. E. Cummings

in Just-
spring when the world is mud-
luscious the little
lame baloonman

whistles      far      and wee

and eddieandbill come
running from marbles and
piracies and it's
spring

when the world is puddle-wonderful

the queer
old baloonman whistles
far      and      wee
and bettyandisbel come dancing

from hop-scotch and jump-rope and
it's
spring
and

      the
               goat-footed

 baloonMan      whistles
far
and
wee



the Cambridge ladies who live in furnished souls
by E. E. Cummings

the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)
they believe in Christ and Longfellow, both dead,
are invariably interested in so many things—
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
.... the Cambridge ladies do not care, above
Cambridge if sometimes in its box of
sky lavender and cornerless, the
moon rattles like a fragment of angry candy



The Darkling Thrush
by Thomas Hardy

I leant upon a coppice gate
     When Frost was spectre-gray,
And Winter's dregs made desolate
     The weakening eye of day.
The tangled bine-stems scored the sky
     Like strings of broken lyres,
And all mankind that haunted nigh
     Had sought their household fires.
The land's sharp features seemed to be
     The Century's corpse outleant,
His crypt the cloudy canopy,
     The wind his death-lament.
The ancient pulse of germ and birth
     Was shrunken hard and dry,
And every spirit upon earth
     Seemed fervourless as I.
At once a voice arose among
     The bleak twigs overhead
In a full-hearted evensong
     Of joy illimited;
An aged thrush, frail, gaunt, and small,
     In blast-beruffled plume,
Had chosen thus to fling his soul
     Upon the growing gloom.
So little cause for carolings
     Of such ecstatic sound
Was written on terrestrial things
     Afar or nigh around,
That I could think there trembled through
     His happy good-night air
Some blessed Hope, whereof he knew
     And I was unaware.



In Time of "The Breaking of Nations"
by Thomas Hardy

Only a man harrowing clods
  In a slow silent walk,
With an old horse that stumbles and nods
  Half asleep as they stalk.

Only thin smoke without flame
  From the heaps of couch grass:
Yet this will go onward the same
  Though Dynasties pass.

Yonder a maid and her wight
  Come whispering by;
War's annals will fade into night
  Ere their story die.



The Convergence Of The Twain
by Thomas Hardy

Lines on the loss of the "Titanic"

           In a solitude of the sea
           Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
           Steel chambers, late the pyres
           Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
           Over the mirrors meant
           To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.
           Jewels in joy designed
           To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
           Dim moon-eyed fishes near
           Gaze at the gilded gear
And query: "What does this vaingloriousness down here?"...
           Well: while was fashioning
           This creature of cleaving wing,
The Immanent Will that stirs and urges everything
           Prepared a sinister mate
           For her—so gaily great—
A Shape of Ice, for the time far and dissociate.
           And as the smart ship grew
           In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.
           Alien they seemed to be;
           No mortal eye could see
The intimate welding of their later history,
           Or sign that they were bent
           By paths coincident
On being anon twin halves of one august event,
            Till the Spinner of the Years
           Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.

Our thanks to Richard Moore for suggesting the inclusion of this poem above.



Beginning My Studies
by Walt Whitman

Beginning my studies the first step pleas'd me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas'd me so much,
I have hardly gone and hardly wish'd to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.



Dover Beach
by Matthew Arnold

The sea is calm to-night,
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The sea of faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.



Dulce Et Decorum Est
by Wilfred Owen

Bent double, like old beggars under sacks
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

Editor's Note: "Dulce et decorum est pro patria mori" is from Horace's Odes and means: "It is sweet and fitting to die for one's country."



Vitae summa brevis spem nos vetat inchohare longam
by Ernest Dowson

"The brevity of life forbids us to entertain hopes of long duration" —Horace

They are not long, the weeping and the laughter,
Love and desire and hate:
I think they have no portion in us after
We pass the gate.

They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.



A Last Word
by Ernest Dowson

Let us go hence: the night is now at hand;
The day is overworn, the birds all flown;
And we have reaped the crops the gods have sown;
Despair and death; deep darkness o'er the land,
Broods like an owl; we cannot understand
Laughter or tears, for we have only known
Surpassing vanity: vain things alone
Have driven our perverse and aimless band.
Let us go hence, somewhither strange and cold,
To Hollow Lands where just men and unjust
Find end of labour, where's rest for the old,
Freedom to all from love and fear and lust.
Twine our torn hands! O pray the earth enfold
Our life-sick hearts and turn them into dust.



Non sum qualis eram bonae sub regno Cynarae
by Ernest Dowson

"I am not as I was under the reign of the good Cynara"—Horace

Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.

All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to you, Cynara! in my fashion.

I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long;
I have been faithful to thee, Cynara! in my fashion.

I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.



Song of Solomon
attributed to King Solomon

I am the rose of Sharon, and the lily of the valleys.
As the lily among thorns, so is my love among the daughters.
As the apple tree among the trees of the wood, so is my beloved among the sons.
I sat down under his shadow with great delight, and his fruit was sweet to my taste.
He brought me to the banqueting house, and his banner over me was love.
Stay me with flagons, comfort me with apples: for I am sick of love.
His left hand is under my head, and his right hand doth embrace me.
I charge you, O ye daughters of Jerusalem, by the roes,
and by the hinds of the field, that ye stir not up, nor wake my love, till he please.

The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
My beloved is like a roe or a young hart: behold, he standeth behind our wall,
he looketh forth at the windows, shewing himself through the lattice.
My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.
For, lo, the winter is past, the rain is over and gone;
The flowers appear on the earth; the time of the singing of birds is come,
and the voice of the turtle is heard in our land;
The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell.
Arise, my love, my fair one, and come away.

O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance,
let me hear thy voice; for sweet is thy voice, and thy countenance is comely.
Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes.

My beloved is mine, and I am his: he feedeth among the lilies.
Until the day break, and the shadows flee away, turn, my beloved,
and be thou like a roe or a young hart upon the mountains of Bether.



The Mill
by Edward Arlington Robinson

The miller's wife had waited long,
The tea was cold, the fire was dead;
And there might yet be nothing wrong
In how he went and what he said:
"There are no millers any more,"
Was all that she had heard him say;
And he had lingered at the door
So long it seemed like yesterday.
Sick with a fear that had no form
She knew that she was there at last;
And in the mill there was a warm
And mealy fragrance of the past.
What else there was would only seem
To say again what he had meant;
And what was hanging from a beam
Would not have heeded where she went.
And if she thought it followed her,
She may have reasoned in the dark
That one way of the few there were
Would hide her and would leave no mark:
Black water, smooth above the weir
Like starry velvet in the night,
Though ruffled once, would soon appear
The same as ever to the sight.



Anthem For Doomed Youth
by Wilfred Owen

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them from prayers or bells,
Nor any voice of mourning save the choirs—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.



The Send-Off
by Wilfred Owen

Down the close, darkening lanes they sang their way
To the siding-shed,
And lined the train with faces grimly gay.

Their breasts were stuck all white with wreath and spray
As men's are, dead.

Dull porters watched them, and a casual tramp
Stood staring hard,
Sorry to miss them from the upland camp.
Then, unmoved, signals nodded, and a lamp
Winked to the guard.

So secretly, like wrongs hushed-up, they went.
They were not ours:
We never heard to which front these were sent.

Nor there if they yet mock what women meant
Who gave them flowers.

Shall they return to beatings of great bells
In wild train-loads?
A few, a few, too few for drums and yells,
May creep back, silent, to still village wells
Up half-known roads.



To Celia
by Ben Jonson

Drink to me, only, with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup,
And I'll not look for wine.
The thirst that from the soul doth rise,
Doth ask a drink divine:
But might I of Jove's nectar sup,
I would not change for thine.

I sent thee, late, a rosy wreath,
Not so much honouring thee,
As giving it a hope, that there
It could not withered be.
But thou thereon didst only breathe,
And sent'st back to me:
Since when it grows, and smells, I swear,
Not of itself, but thee.



The Bustle In A House
by Emily Dickinson

The bustle in a house
The morning after death
Is solemnest of industries
Enacted upon earth.

The sweeping up the heart
And putting love away
We shall not want to use again
Until eternity.



Forgetfulness
by Hart Crane

Forgetfulness is like a song
That, freed from beat and measure, wanders.
Forgetfulness is like a bird whose wings are reconciled,
Outspread and motionless,—
A bird that coasts the wind unwearyingly.

Forgetfulness is rain at night,
Or an old house in a forest,—or a child.
Forgetfulness is white,—white as a blasted tree,
And it may stun the sybil into prophecy,
Or bury the Gods.

I can remember much forgetfulness.



Interior
by Hart Crane

It sheds a shy solemnity,
This lamp in our poor room.
O grey and gold amenity,—
Silence and gentle gloom!

Wide from the world, a stolen hour
We claim, and none may know
How love blooms like a tardy flower
Here in the day's after-glow.

And even should the world break in
With jealous threat and guile,
The world, at last, must bow and win
Our pity and a smile.



Short Poems
by Matsuo Basho

A sturdy oak
In the plum orchard,
Totally indifferent
To the blossoms.

Not knowing
The name of the tree,
I stood in the flood
Of its sweet smell.

Having sucked deep
In a sweet peony,
A bee creeps
Out of its hairy recesses.



The Guppy
by Ogden Nash

Whales have calves,
Cats have kittens,
Bears have cubs,
Bats have bittens,
Swans have cygnets,
Seals have puppies,
But guppies just have little guppies.



The Cow
by Ogden Nash

The cow is of the bovine ilk;
One end is moo, the other, milk.



The Ostrich
by Ogden Nash

The ostrich roams the great Sahara.
Its mouth is wide, its neck is narra.
It has such long and lofty legs,
I'm glad it sits to lay its eggs.



The Termite
by Ogden Nash

Some primal termite knocked on wood
And tasted it, and found it good!
And that is why your Cousin May
Fell through the parlor floor today.



The Turtle
by Ogden Nash

The turtle lives 'twixt plated decks
Which practically conceal its sex.
I think it clever of the turtle
In such a fix to be so fertile.



The Wasp
by Ogden Nash

The wasp and all his numerous family
I look upon as a major calamity.
He throws open his nest with prodigality,
But I distrust his waspitality.



The Maiden’s Song
Medieval Lyric, Poet Unknown

The maidens came when I was in my mother’s bower.
I had all that I would.

   The bailey beareth the bell away;
   The lily, the rose, the rose I lay.

The silver is white, red is the gold;
The robes they lay in fold.

   The bailey beareth the bell away;
   The lily, the rose, the rose I lay.

And through the glass window shines the sun.
How should I love, and I so young?

   The bailey beareth the bell away;
   The lily, the rose, the rose I lay.



I Heard a Fly Buzz When I Died
by Emily Dickinson

I heard a fly buzz when I died;
The stillness round my form
Was like the stillness in the air
Between the heaves of storm.

The eyes beside had wrung them dry,
And breaths were gathering sure
For that last onset, when the King
Be witnessed in his power.

I willed my keepsakes, signed away
What portion of me I
Could make assignable – and then
There interposed a fly,

With blue, uncertain, stumbling buzz
Between the light and me;
And then the windows failed – and then
I could not see to see.



To Earthward
by Robert Frost

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things,
The flow of – was it musk
From hidden grapevine springs
Downhill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they’re gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young:
The petal of the rose
It was that stung.

Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass or sand,

The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.



I Shall Not Care
by Sara Teasdale

When I am dead and over me bright April
    Shakes out her rain-drenched hair,
Though you shall lean above me broken-hearted,
    I shall not care.

I shall have peace, as leafy trees are peaceful
    When rain bends down the bough;
And I shall be more silent and cold-hearted
    Than you are now.

Chaplinesque
by Hart Crane

We will make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.

For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.

We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!

And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.

The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.



The Dark-Eyed Gentleman
by Thomas Hardy

I
I pitched my day's leazings in Crimmercrock Lane,
To tie up my garter and jog on again,
When a dear dark-eyed gentleman passed there and said,
in a way that made all o' me colour rose red,
          'What do I see
          O pretty knee!'
And he came and he tied up my garter for me.

II
'Twixt sunset and moonrise it was, I can mind:
Ah, 'tis easy to lose what we nevermore find!—
of the dear stranger's home, of his name, I knew nought,
But I soon knew his nature and all that it brought.
          Then bitterly
          Sobbed I that he
Should ever have tied up my garter for me!

III
Yet now I've beside me a fine lissom lad,
And my slip's nigh forgot, and my days are not sad;
My own dearest joy is he, comrade, and friend,
he it is who safe-guards me, on him I depend;
          No sorrow brings he,
         And thankful I be
That his daddy once tied up my garter for me!

Note: "Leazings" means a bundle of gleaned corn. [Hardy's note]
Our thanks to Richard Moore for suggesting the inclusion of the poem above.



The Tyger
by William Blake

Tyger! Tyger! burning bright
In the forests of the night
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?



When I Was One-and-Twenty
by A. E. Housman

When I was one-and-twenty
I heard a wise man say,
"Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free."
But I was one-and-twenty,
No use to talk to me.

When I was one-and-twenty
I heard him say again,
"The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a plenty
And sold for endless rue."
And I am two-and-twenty
And oh, 'tis true, 'tis true.



To Daffodils
by Robert Herrick

Fair daffodils, we weep to see
    You haste away so soon.
As yet the early-rising sun
    Hath not attained his noon.
        Stay, stay,
    Until the hasting day
        Has run
    But to the even-song;
And, having prayed together, we
    Will go with you along.
We have short time to stay, as you;
    We have as short a spring;
As quick a growth to meet decay,
    As you, or any thing.
        We die.
    As your hours do, and dry
        Away
    Like to the summer's rain;
Or as the pearls of morning's dew
    Ne'er to be found again.

Our thanks to Gail White for suggesting the inclusion of the poem above.



Go, Lovely Rose
by Edmund Waller

     Go, lovely Rose,—
Tell her that wastes her time and me,
     That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.

     Tell her that's young,
And shuns to have her graces spied,
     That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.

     Small is the worth
Of beauty from the light retir'd:
     Bid her come forth,
Suffer herself to be desir'd,
And not blush so to be admir'd.

     Then die, that she
The common fate of all things rare
     May read in thee;
How small a part of time they share,
That are so wondrous sweet and fair.

Our thanks to Gail White for suggesting the inclusion of this poem above.



As the Ruin Falls
by C. S. Lewis

All this is flashy rhetoric about loving you —
I never had a selfless thought since I was born.
I am mercenary and self-seeking through and through;
I want God, you, all friends merely to serve my turn.

Peace, re-assurance, pleasure are the goals I seek;
I cannot crawl one inch outside my proper skin;
I talk of love — a scholar's parrot may talk Greek,
But self-imprisoned, always end where I begin.

Only that you now have taught me (but how late!) my lack,
I see the chasm; and everything you are was making
My heart into a bridge by which I might get back
From exile and grow man. And now the bridge is breaking.
For this I bless you as the ruin falls. The pains
You give me are more precious than all other gains.

Our thanks to Tony Marco for suggesting the inclusion of the poem above.



Not in a silver casket cool with pearls
by Edna St. Vincent Millay

Not in a silver casket cool with pearls
Or rich with red corundum or with blue,
Locked, and the key withheld, as other girls
Have given their loves, I give my love to you;
Not in a lovers'-knot, not in a ring
Worked in such fashion, and the legend plain—
Semper fidelis, where a secret spring
Kennels a drop of mischief for the brain:
Love in the open hand, no thing but that,
Ungemmed, unhidden, wishing not to hurt,
As one should bring you cowslips in a hat
Swung from the hand, or apples in her skirt,
I bring you, calling out as children do:
"Look what I have!—And these are all for you."



My Sweet, Crushed Angel
by Hafiz, as translated by Daniel Ladinsky

        You have not danced so badly, my dear,
Trying to hold hands with the Beautiful One.

You have waltzed with great style,
        My sweet, crushed angel,
To have ever neared God's heart at all.

Our Partner is notoriously difficult to follow,
And even His best musicians are not always easy
                        To hear.

So what if the music has stopped for a while.

                        So what
If the price of admission to the Divine
            Is out of reach tonight.

            So what, my dear,
If you do not have the ante to gamble for Real Love.

            The mind and the body are famous
            For holding the heart ransom,

But Hafiz knows the Beloved's eternal habits.

                        Have patience,

For He will not be able to resist your longing
                        For Long.

You have not danced so badly, my dear,
            Trying to kiss the Beautiful One.

You have actually waltzed with tremendous style,
                        O my sweet,
            O my sweet crushed angel.



Bathsheba's Song
by George Peele

Hot sun, cool fire, tempered with sweet air,
Black shade, fair nurse, shadow my white hair;
Shine sun; burn, fire; breathe, air, and ease me;
Black shade, fair nurse, shroud me and please me:
Shadow, my sweet nurse, keep me from burning,
Make not my glad cause cause of mourning.
        Let not my beauty's fire
        Inflame unstaid desire,
        Nor pierce any bright eye
        That wandereth lightly.



Is there any reward?
by Hillaire Belloc

Is there any reward?
I'm beginning to doubt it.
I am broken and bored,
Is there any reward
Reassure me, Good Lord,
And inform me about it.
Is there any reward?
I'm beginning to doubt it.



Resume
by Dorothy Parker

Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren't lawful;
Nooses give;
Gas smells awful;
You might as well live.



Normalization
by Czeslaw Milosz, as translated by Clare Cavanagh

This happened long ago, before the onset
of universal genetic correctness.

Boys and girls would stand naked before mirrors
studying the defects of their structure.

Nose too long, ears like burdocks,
sunken chin just like a mongoloid.

Breasts too small, too large, lopsided shoulders,
penis too short, hips too broad or else too narrow.

And just an inch or two taller!

Such was the house they inhabited for life.

Hiding, feigning, concealing defects.

But somehow they still had to find a partner.

Following incomprehensible tastes—airy creatures
paired with potbellies, skin and bones enamored of salt pork.

They had a saying then: “Even monsters
have their mates.” So perhaps they learned to tolerate their partners’
flaws, trusting that theirs would be forgiven in turn.

Now every genetic error meets with such
disgust that crowds might spit on them and stone them.

As happened in the city of K., where the town council
voted to exile a girl

So thickset and squat
that no stylish dress could ever suit her,

But let’s not yearn for the days of prenormalization.
Just think of the torments, the anxieties, the sweat,
the wiles needed to entice, in spite of all.



Fires
by Joseph Campbell

The little fires that Nature lights —
The scilla's lamp, the daffodil —
She quenches, when of stormy nights
Her anger whips the hill.

The fires she lifts against the cloud —
The irised bow, the burning tree —
She batters down with curses loud,
Nor cares that death should be.

The fire she kindles in the soul —
The poet's mood, the rebel's thought —
She cannot master, for their coal
In other mines is wrought.



Base Details
by Seigfreid Sassoon

If I were fierce, and bald, and short of breath,
I'd live with scarlet Majors at the Base,
And speed glum heroes up the line to death.
You'd see me with my puffy, petulant face,
Guzzling and gulping in the best hotel,
Reading the Roll of Honour. 'Poor young chap,'
I'd say — 'I used to know his father well;
Yes, we've lost heavily in this last scrap.'
And when the war is done and youth stone dead,
I'd toddle safely home and die — in bed.



Where The Mind is Without Fear
by Rabindranath Tagore

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought
            and action —
Into that heaven of freedom, my Father, let my country awake.



On the Vanity of Earthly Greatness
by Arthur Guiterman

The tusks which clashed in mighty brawls
Of mastodons, are billiard balls.

The sword of Charlemagne the Just
Is Ferric Oxide, known as rust.

The grizzly bear, whose potent hug,
Was feared by all, is now a rug.

Great Caesar's bust is on the shelf,
And I don't feel so well myself.



Requiem
by Robert L. Stevenson

Under the wide and starry sky
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.

This be the verse you grave for me;
"Here he lies where he longed to be,
Home is the sailor, home from sea,
And the hunter home from the hill."



So We'll Go No More A-Roving
by George Gordon, Lord Byron

So we'll go no more a-roving
    So late into the night,
Though the heart be still as loving,
    And the moon be still as bright.

For the sword outwears its sheath,
    And the soul outwears the breast,
And the heart must pause to breathe,
    And love itself have rest.

Though the night was made for loving,
    And the day returns too soon,
Yet we'll go no more a-roving
    By the light of the moon.



Full Fathom Five
by William Shakespeare

Full fathom five thy father lies;
    Of his bones are coral made;
Those are pearls that were his eyes:
    Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
        Ding-dong.
Hark! now I hear them — ding-dong, bell.



The Rubaiyat of Omar Khayyam

Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
    And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
    "Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

And, as the Cock crew, those who stood before
The Tavern shouted — "Open then the Door!
    You know how little while we have to stay,
And, once departed, may return no more."

Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
    Where the White Hand of Moses on the Bough
Puts out, and Jesus from the Ground suspires.

Iram indeed is gone with all its Rose,
And Jamshyd's Sev'n-ring'd Cup where no one knows;
    But still the Vine her ancient Ruby yields,
And still a Garden by the Water blows.

And David's Lips are lock't; but in divine
High piping Pehlevi, with "Wine! Wine! Wine!
    Red Wine!" — the Nightingale cries to the Rose
That yellow Cheek of hers t'incarnadine.

Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
    The Bird of Time has but a little way
To fly — and Lo! the Bird is on the Wing.



The Rubaiyat of Omar Khayyam

Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
   One thing is certain, and the Rest is Lies;
The Flower that once has blown forever dies.

Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
   About it and about; but evermore
Came out by the same Door as in I went.

With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
   And this was all the Harvest that I reap'd —
'I came like Water and like Wind I go.'



Winter landscape, with rocks
by Sylvia Plath

Water in the millrace, through a sluice of stone,
plunges headlong into that black pond
where, absurd and out-of-season, a single swan
floats chaste as snow, taunting the clouded mind
which hungers to haul the white reflection down.

The austere sun descends above the fen,
an orange cyclops-eye, scorning to look
longer on this landscape of chagrin;
feathered dark in thought, I stalk like a rook,
brooding as the winter night comes on.

Last summer's reeds are all engraved in ice
as is your image in my eye; dry frost
glazes the window of my hurt; what solace
can be struck from rock to make heart's waste
grow green again? Who'd walk in this bleak place?



The Way Through the Woods
by Rudyard Kipling

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate.
(They fear not men in the woods,
Because they see so few)
You will hear the beat of a horse's feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods . . .
But there is no road through the woods.



The Road Goes Ever On
by J R R Tolkien

The Road goes ever on and on
    Down from the door where it began.
Now far ahead the Road has gone,
    And I must follow, if I can,
Pursuing it with eager feet,
    Until it joins some larger way
Where many paths and errands meet.
    And whither then? I cannot say.



Asleep
by Wilfred Owen

Under his helmet, up against his pack,
After so many days of work and waking,
Sleep took him by the brow and laid him back.

There, in the happy no-time of his sleeping,
Death took him by the heart. There heaved a quaking
Of the aborted life within him leaping,
Then chest and sleepy arms once more fell slack.

And soon the slow, stray blood came creeping
From the intruding lead, like ants on track.

Whether his deeper sleep lie shaded by the shaking
Of great wings, and the thoughts that hung the stars,
High-pillowed on calm pillows of God's making,
Above these clouds, these rains, these sleets of lead,
And these winds' scimitars,
-Or whether yet his thin and sodden head
Confuses more and more with the low mould,
His hair being one with the grey grass
Of finished fields, and wire-scrags rusty-old,
Who knows? Who hopes? Who troubles? Let it pass!
He sleeps. He sleeps less tremulous, less cold,
Than we who wake, and waking say Alas!



No Second Troy
by William Butler Yeats

Why should I blame her that she filled my days
With misery, or that she would of late
Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great,
Had they but courage equal to desire?
What could have made her peaceful with a mind
That nobleness made simple as a fire,
With beauty like a tightened bow, a kind
That is not natural in an age like this,
Being high and solitary and most stern?
Why, what could she have done, being what she is?
Was there another Troy for her to burn?



Upon Julia's Clothes
by Robert Herrick

Whenas in silks my Julia goes,
Then, then, methinks, how sweetly flows
The liquefaction of her clothes.

Next, when I cast mine eyes and see
That brave vibration each way free,
Oh, how that glittering taketh me!



Barter
by Sara Teasdale

Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder in a cup.

Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.

Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.



Peace
by Sara Teasdale

Peace flows into me
As the tide to the pool by the shore;
It is mine forevermore,
It ebbs not back like the sea.

I am the pool of blue
That worships the vivid sky;
My hopes were heaven-high,
They are all fulfilled in you.

I am the pool of gold
When sunset burns and dies,—
You are my deepening skies,
Give me your stars to hold.



Alchemy
by Sara Teasdale

I lift my heart as spring lifts up
A yellow daisy to the rain;
My heart will be a lovely cup
Altho' it holds but pain.

For I shall learn from flower and leaf
That color every drop they hold,
To change the lifeless wine of grief
To living gold.



Is My Team Plowing
by A. E. Housman

"Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?"

Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.

"Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?"

Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.

"Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?"

Ay, she lies down lightly,
She lies not down to weep,
Your girl is well contented.
Be still, my lad, and sleep.

"Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?"

Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man's sweetheart,
Never ask me whose.



Credo
by Edward Arlington Robinson

I cannot find my way: there is no star
In all the shrouded heavens anywhere;
And there is not a whisper in the air
Of any living voice but one so far
That I can hear it only as a bar
Of lost, imperial music, played when fair
And angel fingers wove, and unaware,
Dead leaves to garlands where no roses are.

No, there is not a glimmer, nor a call,
For one that welcomes, welcomes when he fears,
The black and awful chaos of the night;
For through it all—above, beyond it all—
I know the far sent message of the years,
I feel the coming glory of the light.



Lucifer in Starlight
by George Meredith

On a starred night Prince Lucifer uprose.
Tired of his dark dominion, swung the fiend
Above the rolling ball, in cloud part screened,
Where sinners hugged their specter of repose.
Poor prey to his hot fit of pride were those.
And now upon his western wing he leaned,
Now his huge bulk o'er Afric's sands careened,
Now the black planet shadowed Arctic snows.
Soaring through wider zones that pricked his scars
With memory of the old revolt from Awe,
He reached a middle height, and at the stars,
Which are the brain of heaven, he looked, and sank.
Around the ancient track marched, rank on rank,
The army of unalterable law.

Our thanks to Patrick Kanouse for suggesting the inclusion of the poem above.



The Indian Serenade
by Percy Bysshe Shelley

I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright.
I arise from dreams of thee,
And a spirit in my feet
Hath led me—who knows how?
To thy chamber window, Sweet!

The wandering airs they faint
On the dark, the silent stream
And the champak's odours pine
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart,
As I must on thine,
O belovèd as thou art!

O lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast:
O press it to thine own again,
Where it will break at last!

Our thanks to T. Merrill for suggesting the inclusion of the poem above.



The Waif
by Henry Wadsworth Longfellow

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time,

For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And tonight I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have a power to quiet
The restless pulse of care,
And comes like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

Our thanks to T. Merrill for suggesting the inclusion of the poem above.



The Silent Slain
by Archibald MacLeish

We too, we too, descending once again
The hills of our own land, we too have heard
Far off — Ah, que ce cor a longue haleine —
The horn of Roland in the passages of Spain,
The first, the second blast, the failing third,
And with the third turned back and climbed once more
The steep road southward, and heard faint the sound
Of swords, of horses, the disastrous war,
And crossed the dark defile at last, and found
At Roncevaux upon the darkening plain
The dead against the dead and on the silent ground
The silent slain —



The Blinded Bird
by Thomas Hardy

(In days bygone, birds were sometimes blinded with a hot needle to make them sing.)

So zestfully canst thou sing?
And all this indignity,
With God's consent, on thee!
Blinded ere yet a-wing
By the red-hot needle thou,
I stand and wonder how
So zestfully thou canst sing!

Resenting not such wrong,
Thy grievous pain forgot,
Eternal dark thy lot,
Groping thy whole life long,
After that stab of fire,
Enjailed in pitiless wire;
Resenting not such wrong!

Who hath charity? This bird.
Who suffereth long and is kind,
Is not provoked, though blind
And alive ensepulchred?
Who hopeth, endureth all things?
Who thinketh no evil, but sings?
Who is divine? This bird.

Our thanks to Tom Merrill for suggesting the inclusion of the poem above.



XLVII — For My Funeral
by A. E. Housman

O thou that from thy mansion
    Through time and place to roam,
Dost send abroad thy children,
    And then dost call them home,

That men and tribes and nations
    And all thy hand hath made
May shelter them from sunshine
    In thine eternal shade:

We now to peace and darkness
    And earth and thee restore
Thy creature that thou madest
    And wilt cast forth no more.

Beauty That Is Never Old
by James Weldon Johnson

When buffeted and beaten by life's storms,
When by the bitter cares of life oppressed,
I want no surer haven than your arms,
I want no sweeter heaven than your breast.

When over my life's way there falls the blight
Of sunless days, and nights of starless skies;
Enough for me, the calm and steadfast light
That softly shines within your loving eyes.

The world, for me, and all the world can hold
Is circled by your arms; for me there lies,
Within the lights and shadows of your eyes,
The only beauty that is never old.

Our thanks to Michael Bennett for suggesting the inclusion of the poem above.



Mother Night
by James Weldon Johnson

Eternities before the first-born day,
Or ere the first sun fledged his wings of flame,
Calm Night, the everlasting and the same,
A brooding mother over chaos lay.
And whirling suns shall blaze and then decay,
Shall run their fiery courses and then claim
The haven of the darkness whence they came;
Back to Nirvanic peace shall grope their way.

So when my feeble sun of life burns out,
And sounded is the hour for my long sleep,
I shall, full weary of the feverish light,
Welcome the darkness without fear or doubt,
And heavy-lidded, I shall softly creep
Into the quiet bosom of the Night.



O Black and Unknown Bards
by James Weldon Johnson

O black and unknown bards of long ago,
How came your lips to touch the sacred fire?
How, in your darkness, did you come to know
The power and beauty of the minstrel's lyre?
Who first from midst his bonds lifted his eyes?
Who first from out the still watch, lone and long,
Feeling the ancient faith of prophets rise
Within his dark-kept soul, burst into song?

Spring and Fall, to a Young Child
by Gerard Manley Hopkins

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What héart héard of, ghóst guéssed:
It is the blight man was born for,
It is Margaret you mourn for.

Our thanks to Michael Bennett for suggesting the inclusion of the poem above.



The Eagle and the Mole
by Elinor Wylie

Avoid the reeking herd,
Shun the polluted flock,
Live like that stoic bird,
The eagle of the rock.

The huddled warmth of crowds
Begets and fosters hate;
He keeps above the clouds
His cliff inviolate.

When flocks are folded warm,
And herds to shelter run,
He sails above the storm,
He stares into the sun.

If in the eagle's track
Your sinews cannot leap,
Avoid the lathered pack,
Turn from the steaming sheep.

If you would keep your soul
From spotted sight or sound,
Live like the velvet mole:
Go burrow underground.

And there hold intercourse
With roots of trees and stones,
With rivers at their source,
And disembodied bones.

Our thanks to T. Merrill for suggesting the inclusion of the poem above.



Leda and the Swan
by William Butler Yeats

A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
                                            Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

Our thanks to Michael Bennett for suggesting the inclusion of the poem above.

Love Is Not All
by Edna St. Vincent Millay

Love is not all: It is not meat nor drink
Nor slumber nor a roof against the rain,
Nor yet a floating spar to men that sink
and rise and sink and rise and sink again.
Love cannot fill the thickened lung with breath
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
even as I speak, for lack of love alone.
It well may be that in a difficult hour,
pinned down by need and moaning for release
or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It may well be. I do not think I would.

Our thanks to Michael Bennett for suggesting the inclusion of the poem above.



I, Being Born a Woman, and Distressed
by Edna St. Vincent Millay

I, being born a woman, and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.

Think not for this, however, this poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity — let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.



What Lips My Lips Have Kissed
by Edna St. Vincent Millay

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.

Our thanks to Michael Bennett for suggesting the inclusion of the poem above.



The Dead Man Walking
by Thomas Hardy

They hail me as one living,
But don't they know
That I have died of late years,
Untombed although?

I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.

Not at a minute's warning,
Not in a loud hour,
For me ceased Time's enchantments
In hall and bower.

There was no tragic transit,
No catch of breath,
When silent seasons inched me
On to this death ....

— A Troubadour-youth I rambled
With Life for lyre,
The beats of being raging
In me like fire.

But when I practised eyeing
The goal of men,
It iced me, and I perished
A little then.

When passed my friend, my kinsfolk,
Through the Last Door,
And left me standing bleakly,
I died yet more;

And when my Love's heart kindled
In hate of me,
Wherefore I knew not, died I
One more degree.

And if when I died fully
I cannot say,
And changed into the corpse-thing
I am to-day,

Yet is it that, though whiling
The time somehow
In walking, talking, smiling,
I live not now.

Our thanks to Tom Merrill for suggesting the inclusion of the poem above.



La Figlia Che Piange (The Weeping Girl)
by T. S. Eliot

Stand on the highest pavement of the stair —
Lean on a garden urn —
Weave, weave the sunlight in your hair —
Clasp your flowers to you with a pained surprise —
Fling them to the ground and turn
With a fugitive resentment in your eyes:
But weave, weave the sunlight in your hair.

So I would have had him leave,
So I would have had her stand and grieve,
So he would have left
As the soul leaves the body torn and bruised,
As the mind deserts the body it has used.
I should find
Some way incomparably light and deft,
Some way we both should understand,
Simple and faithless as a smile and a shake of the hand.

She turned away, but with the autumn weather
Compelled my imagination many days,
Many days and many hours:
Her hair over her arms and her arms full of flowers.
And I wonder how they should have been together!
I should have lost a gesture and a pose.
Sometimes these cogitations still amaze
The troubled midnight, and the noon's repose.



Bagpipe Music
by Louis MacNeice

It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crepe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with head of bison.

John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumbbells to use when he was fifty.

It's no go the Yogi-man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.

Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tire and the devil mend the puncture.

The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs. Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife "Take it away; I'm through with overproduction."

It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.

Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.

It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.

It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.

It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall forever,
But if you break the bloody glass you won't hold up the weather.



The Poet's Testament
by George Santayana

I give back to the earth what the earth gave,
All to the furrow, none to the grave,
The candle's out, the spirit's vigil spent;
Sight may not follow where the vision went.

I leave you but the sound of many a word
In mocking echoes haply overheard,
I sang to heaven. My exile made me free,
from world to world, from all worlds carried me.

Spared by the furies, for the Fates were kind,
I paced the pillared cloisters of the mind;
All times my present, everywhere my place,
Nor fear, nor hope, nor envy saw my face.

Blow what winds would, the ancient truth was mine,
And friendship mellowed in the flush of wine,
And heavenly laughter, shaking from its wings
Atoms of light and tears for mortal things.

To trembling harmonies of field and cloud,
Of flesh and spirit was my worship vowed.
Let form, let music, let all quickening air
Fulfill in beauty my imperfect prayer.



On the Eve of His Execution
by Chidiock Tichborne

My prime of youth is but a frost of cares,
My feast of joy is but a dish of pain,
My crop of corn is but a field of tares,
And all my good is but vain hope of gain;
The day is past, and yet I saw no sun,
And now I live, and now my life is done.

My tale was heard and yet it was not told,
My fruit is fallen, yet my leaves are green,
My youth is spent and yet I am not old,
I saw the world and yet I was not seen;
My thread is cut and yet it is not spun,
And now I live and now my life is done.

I sought my death and found it in my womb,
I looked for life and found it was a shade,
I trod the earth and knew it was my tomb,
And now I die, and now I was but made;
My glass is full, and now my glass is run,
And now I live, and now my life is done.



Buffalo Bill's defunct
by E. E. Cummings

Buffalo Bill's
        defunct
               who used to
               ride a watersmooth-silver
                                        stallion
        and break onetwothreefourfive pigeonsjustlikethat
                                                         Jesus
        he was a handsome man
                             and what i want to know is
        how do you like your blueeyed boy
        Mister Death



Love's Secret
by William Blake

Never seek to tell thy love,
   Love that never told can be;
For the gentle wind does move
   Silently, invisibly.

I told my love, I told my love,
   I told her all my heart,
Trembling, cold, in ghastly fears.
   Ah! she did depart!

Soon after she was gone from me,
   A traveller came by,
Silently, invisibly:
   He took her with a sigh.



Tears, Idle Tears
by Lord Alfred Tennyson

Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn fields,
And thinking of the days that are no more.

Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.

Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.



The More Loving One
by W. H. Auden

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total darkness sublime,
Though this might take me a little time.



Eternity
by William Blake

He who binds to himself a joy,
Does the winged life destroy;
He who kisses the joy as it flies,
Lives in Eternity's sun rise.



The Hippopotamus
by Hillaire Belloc

I shoot the Hippopotamus
With bullets made of platinum,
Because if I use leaden ones
His hide is sure to flatten 'em.



The Pelagian Drinking Song
by Hillaire Belloc

Pelagius lived at Kardanoel
And taught a doctrine there
How, whether you went to heaven or to hell
It was your own affair.
It had nothing to do with the Church, my boy,
But was your own affair.

No, he didn't believe
In Adam and Eve
He put no faith therein!
His doubts began
With the Fall of Man
And he laughed at Original Sin.
With my row-ti-tow
Ti-oodly-ow
He laughed at original sin.

Then came the bishop of old Auxerre
Germanus was his name
He tore great handfuls out of his hair
And he called Pelagius shame.
And with his stout Episcopal staff
So thoroughly whacked and banged
The heretics all, both short and tall —
They rather had been hanged.

Oh he whacked them hard, and he banged them long
Upon each and all occasions
Till they bellowed in chorus, loud and strong
Their orthodox persuasions.
With my row-ti-tow
Ti-oodly-ow
Their orthodox persuasions.

Now the faith is old and the Devil bold
Exceedingly bold indeed.
And the masses of doubt that are floating about
Would smother a mortal creed.
But we that sit in a sturdy youth
And still can drink strong ale
Let us put it away to infallible truth
That always shall prevail.

And thank the Lord
For the temporal sword
And howling heretics too.
And all good things
Our Christendom brings
But especially barley brew!
With my row-ti-tow
Ti-oodly-ow
Especially barley brew!



The Penitent
by Edna St. Vincent Millay

 I had a little Sorrow,
  Born of a little Sin,
   I found a room all damp with gloom
 And shut us all within;
  And, "Little Sorrow, weep," said I,
   "And, Little Sin, pray God to die,
      And I upon the floor will lie
    And think how bad I've been!"

      Alas for pious planning —
It mattered not a whit!
   As far as gloom went in that room,
     The lamp might have been lit!
   My little Sorrow would not weep,
   My little Sin would go to sleep —
   To save my soul I could not keep
      My graceless mind on it!

 So I got up in anger,
And took a book I had,
    And put a ribbon on my hair
      To please a passing lad,
 And, "One thing there's no getting by —
    I've been a wicked girl," said I:
     "But if I can't be sorry, why,
I might as well be glad!"



A Supermarket in California
by Allen Ginsberg

    What thoughts I have of you tonight, Walt Whitman, for I walked down the streets under the trees with a headache self-conscious looking at the full moon.
    In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!
    What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes! — and you, Garcia Lorca, what were you doing down by the watermelons?
    I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys.
    I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel?
    I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective.
    We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier.
    Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight?
    (I touch your book and dream of our odyssey in the supermarket and feel absurd.)
    Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely.
    Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage?
    Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?



The Man Whose Pharynx Was Bad
by Wallace Stevens

The time of year has grown indifferent.
Mildew of summer and the deepening snow
Are both alike in the routine I know:
I am too dumbly in my being pent.

The wind attendant on the solstices
Blows on the shutters of the metropoles,
Stirring no poet in his sleep, and tolls
The grand ideas of the villages.

The malady of the quotidian . . .
Perhaps if summer ever came to rest
And lengthened, deepened, comforted, caressed
Through days like oceans in obsidian

Horizons, full of night's midsummer blaze;
Perhaps, if winter once could penetrate
Through all its purples to the final slate,
Persisting bleakly in an icy haze;

One might in turn become less diffident,
Out of such mildew plucking neater mould
And spouting new orations of the cold.
One might. One might. But time will not relent.



The Health-Food Diner
by Maya Angelou

No sprouted wheat and soya shoots
And Brussels in a cake,
Carrot straw and spinach raw,
(Today, I need a steak).

Not thick brown rice and rice pilaw
Or mushrooms creamed on toast,
Turnips mashed and parsnips hashed,
(I'm dreaming of a roast).

Health-food folks around the world
Are thinned by anxious zeal,
They look for help in seafood kelp
(I count on breaded veal).

No smoking signs, raw mustard greens,
Zucchini by the ton,
Uncooked kale and bodies frail
Are sure to make me run

to

Loins of pork and chicken thighs
And standing rib, so prime,
Pork chops brown and fresh ground round
(I crave them all the time).

Irish stews and boiled corned beef
and hot dogs by the scores,
or any place that saves a space
For smoking carnivores.



Helen
by H. D.

All Greece hates
the still eyes in the white face,
the lustre as of olives
where she stands,
and the white hands.

All Greece reviles
the wan face when she smiles,
hating it deeper still
when it grows wan and white,
remembering past enchantments
and past ills.

Greece sees unmoved,
God's daughter, born of love,
the beauty of cool feet
and slenderest knees,
could love indeed the maid,
only if she were laid,
white ash amid funereal cypresses.



High Flight
by John Gillespie Magee

Oh, I have slipped the surly bonds of earth
And danced the skies on laughter-silvered wings.
Sunward I've climbed and joined the tumbling mirth
Of sun-split clouds and done a hundred things
You have not dreamed of—wheeled and soared and swung
High in the sunlit silence. Hov'ring there
I've chased the shouting wind along and flung
My eager craft through footless halls of air.
Up, up the long, delirious burning blue
I've topped the windswept heights with easy grace
Where never lark or even eagle flew,
And while with silent lifting mind I've trod
The high, untrespassed sanctity of space
Put out my hand and touched the face of God.

Our thanks to Emery Campbell for suggesting the inclusion of the poem above.



Proud Maisie
by Sir Walter Scott

Proud Maisie is in the wood
Walking so early;
Sweet Robin sits on the bush,
Singing so rarely.

'Tell me, thou bonny bird,
When shall I marry me?' —
'When six braw gentlemen
Kirkward shall carry ye.'

'Who makes the bridal bed,
Birdie, say truly?'
'The gray-headed sexton
That delves the grave duly.'

'The glowworm o'er grave and stone
Shall light thee steady,
The owl from the steeple sing,
'Welcome, proud lady.'

Our thanks to Dr. Edward Zuk for suggesting the inclusion of the poem above, which is unfortunately hard to find on the Internet.



Aplolgia Pro Vita Sua
by Samuel Taylor Coleridge

The poet in his lone yet genial hour
Gives to his eyes a magnifying power:
Or rather he emancipates his eyes
From the black shapeless accidents of size—
In unctuous cones of kindling coal,
Or smoke upwreathing from the pipe's trim bole,
      His gifted ken can see
      Phantoms of sublimity.



The Kraken
by Lord Alfred Tennyson

Below the thunders of the upper deep,
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides; above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumbered and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages, and will lie
Battening upon huge sea worms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.



When I have fears that I may cease to be
by John Keats

When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charact'ry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.



On Fame
by John Keats

Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gipsey,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whisper'd close,
Who thinks they scandal her who talk about her;
A very Gipsey is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Make your best bow to her and bid adieu,
Then, if she likes it, she will follow you.



Alone
by Edgar Alan Poe

From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then—in my childhood, in the dawn
Of a most stormy life—was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.



A Dream Within a Dream
by Edgar Alan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow—
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand—
How few! yet how they creep
Through my fingers to the deep,
While I weep—while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?



Sonnet—To Science
by Edgar Allan Poe

Science! true daughter of Old Time thou art!
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise,
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car?
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?



How many bards gild the lapses of time!
by John Keats

How many bards gild the lapses of time!
A few of them have ever been the food
Of my delighted fancy,—I could brood
Over their beauties, earthly, or sublime:
And often, when I sit me down to rhyme,
These will in throngs before my mind intrude:
But no confusion, no disturbance rude
Do they occasion; ’tis a pleasing chime.
So the unnumber’d sounds that evening store;
The songs of birds—the whisp’ring of the leaves—
The voice of waters—the great bell that heaves
With solemn sound,—and thousand others more
That distance of recognizance bereaves,
Make pleasing music, and not wild uproar.

Our thanks to Esther Cameron for suggesting the inclusion of the poem above.



To Helen
by Edgar Allan Poe

Helen, thy beauty is to me
Like those Nicean barks of yore,
That gently, o'er a perfumed sea,
The weary, wayworn wanderer bore
To his own native shore.

On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece
And the grandeur that was Rome.

Lo! in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand!
Ah, Psyche, from the regions which
Are Holy Land!



Tea at the Palaz of Hoon
by Wallace Stevens

Not less because in purple I descended
The western day through what you called
The loneliest air, not less was I myself.

What was the ointment sprinkled on my beard?
What were the hymns that buzzed beside my ears?
What was the sea whose tide swept through me there?

Out of my mind the golden ointment rained,
And my ears made the blowing hymns they heard.
I was myself the compass of that sea:

I was the world in which I walked, and what I saw
Or heard or felt came not but from myself;
And there I found myself more truly and more strange.

Our thanks to Sally O'Brien for suggesting the inclusion of the poem above.



Into the Twilight
by William Butler Yeats

Out-worn heart, in a time out-worn,
Come clear of the nets of wrong and right;
Laugh, heart, again in the grey twilight;
Sigh, heart, again in the dew of the morn.

Your mother Eire is always young,
Dew ever shining and twilight grey;
Though hope fall from you and love decay,
Burning in fires of a slanderous tongue.

Come, heart, where hill is heaped upon hill:
For there the mystical brotherhood
Of sun and moon and hollow and wood
And river and stream work out their will;

And God stands winding His lonely horn,
And time and the world are ever in flight;
And love is less kind than the grey twilight,
And hope is less dear than the dew of the morn.



The Indian Upon God
by William Butler Yeats

I passed along the water's edge below the humid trees,
My spirit rocked in evening light, the rushes round my knees,
My spirit rocked in sleep and sighs; and saw the moorfowl pace
All dripping on a grassy slope, and saw them cease to chase
Each other round in circles, and heard the eldest speak:
Who holds the world between his bill and made us strong or weak
Is an undying moorfowl, and He lives beyond the sky.
The rains are from his dripping wing, the moonbeams from His eye.
I passed a little further on and heard a lotus talk:
Who made the world and ruleth it, He hangeth on a stalk,
For I am in His image made, and all this tinkling tide
Is but a sliding drop of rain between His petals wide.
A little way within the gloom a roebuck raised his eyes
Brimful of starlight, and he said: The Stamper of the Skies,
He is a gentle roebuck; for how else, I pray, could He
Conceive a thing so sad and soft, a gentle thing like me?
I passed a little further on and heard a peacock say:
Who made the grass and made the worms and made my feathers gay,
He is a monstrous peacock, and He waveth all the night
His languid tail above us, lit with myriad spots of light.



The Chestnut Casts His Flambeaux
by A. E. Housman

The chestnut casts his flambeaux, and the flowers
     Stream from the hawthorn on the wind away,
The doors clap to, the pane is blind with showers,
      Pass me the can, lad; there's an end of May.      

There's one spoilt spring to scant our mortal lot,
      One season ruined of our little store.
May will be fine next year as like as not:
      Oh ay, but then we shall be twenty-four.

We for a certainty are not the first
      Have sat in taverns while the tempest hurled
Their hopeful plans to emptiness, and cursed
     Whatever brute and blackguard made the world.

It is in truth iniquity on high
      To cheat our sentenced souls of aught they crave,
And mar the merriment as you and I
     Fare on our long fool's errand to the grave.

Iniquity it is; but pass the can.
       My lad, no pair of kings our mothers bore;
Our only portion is the estate of man:
      We want the moon, but we shall get no more.

If here today the cloud of thunder lours
      To-morrow it will hie on far behests;
The flesh will grieve on other bones than ours
      Soon, and the soul will mourn in other breasts.

The troubles of our proud and angry dust
      Are from eternity, and shall not fail.
Bear them we can, and if we can we must.
      Shoulder the sky, my lad, and drink your ale.   



His Immortality
by Thomas Hardy

    I saw a dead man's finer part
Shining within each faithful heart
Of those bereft. Then said I: "This must be
          His immortality."    
  
   I looked there as the seasons wore
And still his soul continuously bore
A life in theirs. But less its shine excelled
          Than when I first beheld.

   His fellow-yearsmen passed, and then
In later hearts I looked for him again;
And found him—shrunk, alas! into a thin
          And spectral mannikin.

   Lastly I ask—now old and chill—
If aught of him remain unperished still;
And find, in me alone, a feeble spark,
          Dying amid the dark.

Excerpts from "More Poems"
by A. E. Housman

XXVI

Good creatures, do you love your lives
And have you ears for sense?
Here is a knife like other knives,
That cost me eighteen pence.

I need but stick it in my heart
And down will come the sky,
And earth's foundations will depart
And all you folk will die.

The Highwayman
by Alfred Noyes

PART ONE

I

THE wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
                      Riding—riding—
The highwayman came riding, up to the old inn-door.

II

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
                      His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

III

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
                      Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

IV

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
                      The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say—

V

"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
                      Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

VI

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
                      (Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

PART TWO

I

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching—
                      Marching—marching—
King George's men came matching, up to the old inn-door.

II

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
                      And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

III

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now, keep good watch!" and they kissed her.
                      She heard the dead man say—
Look for me by moonlight;
                      Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

IV

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
                      Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

V

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
                      Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain .

VI

Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
                      Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

VII

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
                      Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.

VIII

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord's daughter,
                      The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

IX

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
                      Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

X

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
                      Riding—riding—
A highwayman comes riding, up to the old inn-door.

XI

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
                      Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

Our thanks to Noel Paton for suggesting the inclusion of the poem above.



Mariana
by Lord Alfred Tennyson

‘Mariana in the moated grange.’ — Measure for Measure.

With blackest moss the flower-plots
   Were thickly crusted, one and all:
The rusted nails fell from the knots
   That held the pear to the gable-wall.
The broken sheds look’d sad and strange:
   Unlifted was the clinking latch;
   Weeded and worn the ancient thatch
Upon the lonely moated grange.
     She only said, ‘My life is dreary,
       He cometh not,’ she said;
     She said, ‘I am aweary, aweary,
       I would that I were dead!’

Her tears fell with the dews at even;
   Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
   Either at morn or eventide.
After the flitting of the bats,
   When thickest dark did trance the sky,
   She drew her casement-curtain by,
And glanced athwart the glooming flats.
     She only said, ‘The night is dreary,
       He cometh not,’ she said;
     She said, ‘I am aweary, aweary,
       I would that I were dead!’

Upon the middle of the night,
   Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
   From the dark fen the oxen’s low
Came to her: without hope of change,
   In sleep she seem’d to walk forlorn,
   Till cold winds woke the gray-eyed morn
About the lonely moated grange.
     She only said, ‘The day is dreary,
       He cometh not,’ she said;
     She said, ‘I am aweary, aweary,
       I would that I were dead!’

About a stone-cast from the wall
   A sluice with blacken’d waters slept,
And o’er it many, round and small,
   The cluster’d marish-mosses crept.
Hard by a poplar shook alway,
   All silver-green with gnarled bark:
   For leagues no other tree did mark
The level waste, the rounding gray.
     She only said, ‘My life is dreary,
       He cometh not,’ she said;
     She said, ‘I am aweary, aweary,
       I would that I were dead!’

And ever when the moon was low,
   And the shrill winds were up and away,
In the white curtain, to and fro,
   She saw the gusty shadow sway.
But when the moon was very low,
   And wild winds bound within their cell,
   The shadow of the poplar fell
Upon her bed, across her brow.
     She only said, ‘The night is dreary,
       He cometh not,’ she said;
     She said, ‘I am aweary, aweary,
       I would that I were dead!’

All day within the dreamy house,
   The doors upon their hinges creak’d;
The blue fly sung in the pane; the mouse
   Behind the mouldering wainscot shriek’d,
Or from the crevice peer’d about.
   Old faces glimmer’d thro’ the doors,
   Old footsteps trod the upper floors,
Old voices called her from without.
     She only said, ‘My life is dreary,
       He cometh not,’ she said;
     She said, ‘I am aweary, aweary,
       I would that I were dead!’

The sparrow’s chirrup on the roof,
   The slow clock ticking, and the sound
Which to the wooing wind aloof
   The poplar made, did all confound
Her sense; but most she loathed the hour
   When the thick-moted sunbeam lay
   Athwart the chambers, and the day
Was sloping toward his western bower.
     Then, said she, ‘I am very dreary,
       He will not come,’ she said;
     She wept, ‘I am aweary, aweary,
       Oh God, that I were dead!’



Ulysses
by Lord Alfred Tennyson

It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
Life to the lees. All times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vext the dim sea. I am become a name;
For always roaming with a hungry heart.
Much have I seen and known—cities of men
And manners, climates, councils, governments,
Myself not least, but honored of them all,—
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untraveled world whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
     This is my son, mine own Telemachus,
To whom I leave the scepter and the isle,
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
     There lies the port; the vessel puffs her sail;
There gloom the dark, broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me,
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honor and his toil.
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are,
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.



The Bull
by Ralph Hodgson

See an old unhappy bull,
Sick in soul and body both,
Slouching in the undergrowth
Of the forest beautiful,
Banished from the herd he led,
Bulls and cows a thousand head.

Cranes and gaudy parrots go
Up and down the burning sky;
Tree-top cats purr drowsily
In the dim-day green below;
And troops of monkeys, nutting, some,
All disputing, go and come;

And things abominable sit
Picking offal buck or swine,
On the mess and over it
Burnished flies and beetles shine,
And spiders big as bladders lie
Under hemlocks ten foot high;

And a dotted serpent curled
Round and round and round a tree,
Yellowing its greenery,
Keeps a watch on all the world,
All the world and this old bull
In the forest beautiful.

Bravely by his fall he came:
One he led, a bull of blood
Newly come to lustihood,
Fought and put his prince to shame,
Snuffed and pawed the prostrate head
Tameless even while it bled.

There they left him, every one,
Left him there without a lick,
Left him for the birds to pick,
Left him there for carrion,
Vilely from their bosom cast
Wisdom, worth and love at last.

When the lion left his lair
And roared his beauty through the hills,
And the vultures pecked their quills
And flew into the middle air,
Then this prince no more to reign
Came to life and lived again.

He snuffed the herd in far retreat,
He saw the blood upon the ground,
And snuffed the burning airs around
Still with beevish odours sweet,
While the blood ran down his head
And his mouth ran slaver red.

Pity him, this fallen chief,
All his spendour, all his strength,
All his body's breadth and length
Dwindled down with shame and grief,
Half the bull he was before,
Bones and leather, nothing more.

See him standing dewlap-deep
In the rushes at the lake,
Surly, stupid, half asleep,
Waiting for his heart to break
And the birds to join the flies
Feasting at his bloodshot eyes,—

Standing with his head hung down
In a stupor dreaming things:
Green savannas, jungles brown,
Battlefields and bellowings,
Bulls undone and lions dead
And vultures flapping overhead.

Dreaming things: of days he spent
With his mother gaunt and lean
In the valley warm and green,
Full of baby wonderment,
Blinking out of silly eyes
At a hundred mysteries;

Dreaming over once again
How he wandered with a throng
Of bulls and cows a thousand strong,
Wandered on from plain to plain,
Up the hill and down the dale,
Always at his mother's tail;

How he lagged behind the herd,
Lagged and tottered, weak of limb,
And she turned and ran to him
Blaring at the loathly bird
Stationed always in the skies,
Waiting for the flesh that dies.

Dreaming maybe of a day
When her drained and drying paps
Turned him to the sweets and saps,
Richer fountains by the way,
And she left the bull she bore
And he looked on her no more;

And his little frame grew stout,
And his little legs grew strong,
And the way was not so long;
And his little horns came out,
And he played at butting trees
And boulder-stones and tortoises,

Joined a game of knobby skulls
With the youngsters of his year,
All the other little bulls,
Learning both to bruise and bear,
Learning how to stand a shock
Like a little bull of rock.

Dreaming of a day less dim,
Dreaming of a time less far,
When the faint but certain star
Of destiny burned clear for him,
And a fierce and wild unrest
Broke the quiet of his breast,

And the gristles of his youth
Hardened in his comely pow,
And he came to fighting growth,
Beat his bull and won his cow,
And flew his tail and trampled off
Past the tallest, vain enough,

And curved about in spendour full
And curved again and snuffed the airs
As who should say Come out who dares!
And all beheld a bull, a Bull,
And knew that here was surely one
That backed for no bull, fearing none.

And the leader of the herd
Looked and saw, and beat the ground,
And shook the forest with his sound,
Bellowed at the loathly bird
Stationed always in the skies,
Waiting for the flesh that dies.

Dreaming, this old bull forlorn,
Surely dreaming of the hour
When he came to sultan power,
And they owned him master-horn,
Chiefest bull of all among
Bulls and cows a thousand strong.

And in all the tramping herd
Not a bull that barred his way,
Not a cow that said him nay,
Not a bull or cow that erred
In the furnace of his look
Dared a second, worse rebuke;

Not in all the forest wide,
Jungle, thicket, pasture, fen,
Not another dared him then,
Dared him and again defied;
Not a sovereign buck or boar
Came a second time for more.

Not a serpent that survived
Once the terrors of his hoof
Risked a second time reproof,
Came a second time and lived,
Not serpent in its skin
Came again for discipline;

Not a leopard bright as flame,
Flashing fingerhooks of steel,
That a wooden tree might feel,
Met his fury once and came
For second reprimand,
Not a leopard in the land.

Not a lion of them all,
Not a lion of the hills,
Hero of a thousand kills,
Dared a second fight and fall,
Dared that ram terrific twice,
Paid a second time the price. . . .

Pity him, this dupe of dream,
Leader of the herd again
Only in his daft old brain,
Once again the bull supreme
And bull enough to bear the part
Only in his tameless heart.

Pity him that he must wake;
Even now the swarm of flies
Blackening his bloodshot eyes
Bursts and blusters round the lake,
Scattered from the feast half-fed,
By great shadows overhead.

And the dreamer turns away
From his visionary herds
And his splendid yesterday,
Turns to meet the loathly birds
Flocking round him from the skies,
Waiting for the flesh that dies.



The Love Song of J. Alfred Prufrock
by T. S. Eliot

         S'io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s'i'odo il vero,
 Senza tema d'infamia ti rispondo. [1]

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question .
Oh, do not ask, "What is it?"
Let us go and make our visit.

     In the room the women come and go
Talking of Michelangelo.

     The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

     And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

     In the room the women come and go
Talking of Michelangelo.

     And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
[They will say: "How his hair is growing thin!"]
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
[They will say: "But how his arms and legs are thin!"]
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

     For I have known them all already, known them all:—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
     So how should I presume?

     And I have known the eyes already, known them all-
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
     And how should I presume?

     And I have known the arms already, known them all-
Arms that are braceleted and white and bare
[But in the lamplight, downed with light brown hair!]
It is perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
     And should I then presume?
     And how should I begin?

                                .      .      .      .      .

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?. . .

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

                                .      .      .      .      .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep . . . tired . . . or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head [grown slightly bald] brought in upon a platter,
I am no prophet—and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

     And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"—
If one, settling a pillow by her head,
     Should say: "That is not what I meant at all.
     That is not it, at all."

     And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
     "That is not it at all,
     That is not what I meant, at all."

                                .      .      .      .      .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old . . . I grow old . . .
I shall wear the bottoms of my trousers rolled.

     Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

     I do not think that they will sing to me.

     I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

     We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.