The HyperTexts

Martin Mc Carthy

Martin Mc Carthy lives in Cork City, Ireland, and spent several years working for the Defence Forces, before studying English at UCC. He has published two collections: Lockdown Diary (2020) and Lockdown (2021). His most recent poems appear in the pandemic anthology, Poems from My 5k, and in the journals: Drawn to the Light, Seventh Quarry Poetry, Poetry Salzburg, The Lyric, The Road Not Taken, The Orchards, WestWard Quarterly, Better Than Starbucks, Blue Unicorn, Lighten Up Online, The Chained Muse, London & Newcastle, The Madrigal, The Society of Classical Poets, Taj Mahal Review, New Lyre and Southword. He was shortlisted for the Red Line Poetry Prize and was a nominee for the 2022 Pushcart Prize. At present he is working on a long sequence of love poems, titled Book of Desire and the poems included here, after the first one, are excerpted from that sequence. He has a website at mccarthypoet.com.



Little Thrush

for a slain child

When your songs no longer flow,
little thrush;

when gunfire lays you low,
little thrush;

where does your spirit go,
little thrush?

What happens to all you know,
little thrush?



Battery Poets

for Prof. P.M.

You were one of the first to venture
forth from your own land,
(your green, free-range world)
in order to create these vast
classrooms of battery poets
hatching pale-egg poems
and songs that bear no music,
and no real sense of being lived in;
but are certain to get, at least,
a capital A for being academicó
and maybe, in due course, a Pulitzer
and a steady factory job, like yours.



Song of the Raven

The raven speaks of the nightís
great mistress
of pain and pleasure,
and of her clear voice among
the shades in Choristerís Hall.

The raven speaks of the cathedral
that was visible from her room
on Cemetery Street,
and of her high-booted legs
among the long vaults of the dead.

The raven speaks of the grace
that flowed
in the folds of her dress,
and of the wind-god
who tried once to unzip it.

The raven speaks of her laughing
dismissal of clerics,
and how her awe of the night-star
offered the least-guarded
path to her heart.

The raven speaks of the nightís
great mistress
of pain and pleasure,
and of her clear voice among
the shades in Choristerís Hall.



No Matter

You sleep here always in my bed,
Your soul is never far from me,
No matter what the gods have said.

Long ago, you packed and fled,
But how can you be happy?
You sleep here always in my bed.

To another, you are safely wed,
Yet ever restless like the sea,
No matter what the gods have said.

The sky around you glows bright red,
But thereís no fire to embody.
You sleep here always in my bed.

My passion for you wonít stay dead,
And you know this to some degree,
No matter what the gods have said.

So what tomorrow lies ahead?
What lovers do we dare to be?
You sleep here always in my bed,
No matter what the gods have said.



The Night is Long

The night is long,
and your empty wineglass speaks
of the immense darkness
enshrouding
the vine of the victor.
Oh, the night is long!

The night is long,
and you are years beyond
your wedding waltz,
and dancing only
on the bored edges of extinction.
Oh, the night is long!

The night is long,
and your limbs are restless,
as if they crave something
more harmonious than the windís
torrid union with the rain.
Oh, the night is long!

The night is long,
and seems to hold worse terrors
than the gleaming teeth
of the silver snare
you have no wish to escape from.
Oh, the night is long!

The night is long,
and you are living only
for the thrill
of instantaneous pleasures
that are instantly forgotten.
Oh, the night is long!

The night is long,
and a painted screen
entombs
a life of fire,
and everything is on course forever.
Oh, the night is long!



Someday

Someday you will come to me,
someday you will bring me a seashell.

Then I will take your hand and tell you
how much I wanted you through all the days
when you were wedded to your
little bay of familiar birds and boats,
and through all the nights
when you were faithful, chaste and pure.
I will tell you how I ached to hear
the lingering way the evening holds your laughter,
and how I ached to touch the soft fire
of your red lips in the rain,
in this hilltop haven of skylarks.

Someday you will come to me;
someday I will give you a sprig of myrtle.



Going to Bluebay

Oh, I'm going now to Bluebay!

Going
as soon as the day breaks
and my bags
are packed and ready.

Going
where Hazel is, and where,
year by year, I see
desire undressing behind her eyes.

Going
before the world
that is her world becomes
shrouded in emptiness.

Going
before her dreams
are sealed forever
by some invincible signet ring.

Going
where the bustling sounds
of a busy market are balanced
by a silent hill of tombed visions.

Going
in search of some infinity
that may exist beyond
the summit of her black stockings.

Going
to uncover the awesomeness
that hides so often
within the leaves of the ordinary.

Going
to rekindle the embers
of an autumnal bonfire that can set
the skin of a larch alight.

Going
to feel the joy
of another day
in the eternal streets of now.

Going
to meet her by the sea-wall
where she will feed me
bread and olives.

Going
where she stood
once,
with salt drops in her hair.

Going
where she stood and sighed,
as the waves around us gasped
and clasped each other.

Going
where Hazel is,
and where
years of missing her

will add weight
and mystery to the hand
she'll hold
towards me in the mist.

Oh, I'm going now to Bluebay!



Ebb Tide

Here,
is where I am,
and where Iíve come to see you,
while the light remains,
and there is time enough
to embrace it;

here,
where the ebb tide leaves
its mark on the breathless
face of passion,
and the day lays bare
the trembling world before us;

here,
where a blue wave burns
its fingers on the shingle of a shore
it canít hold onto,
and where you walk alone
in Decemberís dark light;

here,
where you ponder
the graceful dexterity of limbs
no longer clinging to the rainy edges
of a mountain, and where the glow
of youth has faded from your hair;

here,
where you are mulling over
the marvel of your marvelous body
and its slow descent from heaven
to this gold labyrinth
that has stolen all your dreams;

here,
where you live a life
of rigid self-control, and are less
dismissive now
of those dizzying desires
driving fireflies to their doom;

here,
where you fear the spectre
of some dark unending nothing,
and where you strive sometimes
to unfreeze that flowing world
beneath your veil of ice;

here,
where you are sitting
among the rocks
in your blue robe, and only
two small buttons away
from baring all;

here,
where my heart is a wind
wrapping itself around the dead
heat from your marriage bed,
and where everything will happen
if you only give the word;

for here
is where I am,
and where Iíve come to meet you,
while the light remains,
and you are ready now
to enflame it.

The HyperTexts