Leo Yankevich



Leo Yankevich was born on October 30, 1961, in Sharon, Pennsylvania. His poems and translations have appeared on both sides of the Atlantic in scores of journals and anthologies. He lives with his wife and three sons in Gliwice, Poland.

Books by Leo Yankevich:

The Language of Birds; Pygmy Forest Press 1994
Grief's Herbs (translations after the Polish of Stanislaw Grochowiak); The Mandrake Press, 1995
The Gnosis of Gnomes; The Mandrake Press, 1995
Epistle from The Dark; The Mandrake Press, 1996
The Golem of Gleiwitz; The Mandrake Press, 1998
The Unfinished Crusade; The Mandrake Press, 2000
Posthumous Shade; (translations after the Polish of Boleslaw Lesmian); forthcoming in 2003
The Hypocrisies of Heaven; forthcoming in 2003



Manichaeans

Indistinguishable from the dark, a rat
crawls through debris. Above, aloof and pale,
the moon shines on all the heavens and hells
of the city, shines on the good and bad

alike, more intimately than the sun.
Two pounds of dung sit in our bodies' bowels,
waiting to be released. The sweat on our brows,
the warm saliva on our twisted tongues

shall be purified in estuaries,
merge with the thoughts of seals and otters.
Our sperm and eggs become sons and daughters,
but what of the husks of all our worries,

of our falling lungs and aching gallstones,
of the scabs from our wounds, of our bad blood?
We prefer abstractions, words like: love
and redemption; hate the meat on our bones,

gag at the worms that cleanse us, yield to blight.
We are purists at heart. But, if only
it would stop pounding, if only we could be
fleshless, if only we could be like light.

Published in The Tennessee Quarterly and American Jones



Sarajevo Sonnet

Within the four walls of this sonnet's form
(while outside spring rain gathers in a pail),
there is at least one happy story to tell,
something lovely brought on by a storm.

Fresh thrifts have sprouted, and a fat worm
lazily crawls out of someone's cracked bell,
crawls out of the centre of someone's hell,
out of a skull atop a uniform,

while not too far away, in someone's rib cage,
in a sunlit temple without a steeple,
two tiny beetles in the place of people,

(their love too pure to ever turn into rage,
too tried and true to ever fail or falter),--
take their vows before a priestless  altar.

1994



The Idiot

Whenever I sit with the village idiot,
it's always with genuine reverence and a bit
of suspicion. Usually we just stare at the rooks,
and he sips my beer without asking, then looks
deranged as if to say he's sorry. He knows enough
about me to know I like diamonds in the rough.
And, strangely, he and I always notice the same things:
hieroglyphs in the snow, tiny holes in our fillings.
When he's not around, my wife says he's a blackguard
and a parasite, a charlatan, and a drunkard;
and I try to explain that he's just the village idiot,
and that once in a while it's necessary to sit
with him and share a pint. Later, when he falls asleep,
out of pity and out of love, I allow him to sneak
into her bed and fondle her thin white thighs,
and, if she doesn't protest, to spend the night.

Published in Blue Unicorn, The Windsor Review, Staple, American Jones and Edge City Review



The Bridge

Petalled with rust beneath a sky of slag,
the bridge expands into infinite haze.
Below it, the meaning of all my days:
thistled lots, brambled voids where time lags

oblivious to the maimed and forgotten.
My eyes sink in their vision: flocks of crows,
torrents of black water, flapping shadows
over tawny fields in endless autumn...

On the bridge, wasting bad time, I'd shed tears,
but have no regrets, only old ironies,
black insect prayers that cannot break my fall.

I'd appeal my sentence, seek solace from seers,
but the child in me knows: beyond destinies
light is everywhere, and redeems us all.

Published in The Eclectic Muse  and The Susquehanna Quarterly



Philosopher
for Czeslaw Milosz

For a moment as brief and long as eternity
he sees what the blind man sees in the blink of an eye:
a sun that never sets, forms wrought from gold, purity
before it falls or is restored to grace, the grey sky

beheld from the far side of dawn. As if in a dream,
he walks amid universals, essences of names,
and marvels at the beauty of birds, the snowflakes teem-
ing through the ethereal windows of souls, and the flames

of dear dead Heraclitus—now at last understood.
For as long as a moment is he sees the Father
embrace the Son—forever since the onset of time.

He has climbed out of the phantasmical cave for good,
martyred by what rills in the blood, no longer bothered
by those in fetters—yet part of the natural crime.

Published in The New Formalist