The Best Ballads in the English Language (and a few Stinkers)
Which were the earliest ballads in the English language? Who wrote the best
ballads? Which ballads are the the best? We have put together a page designed to
trace the evolution of the English ballad with a chronology or timeline.
Top Ten Older Ballads:
Tom O'Bedlam's Song, Sir
Patrick Spens, Edward, Lord Randal, Bonny Barbara Allan,
The Wife of
Usher's Well, The Unquiet Grave, The Three Ravens, The Douglas Tragedy,
Top Ten Modern Ballads: Rime of the Ancient Mariner by
Samuel Taylor Coleridge, La Belle Dame sans Merci by John Keats,
The Ballad of Reading Gaol by Oscar Wilde, Annabel Lee by Edgar
Allan Poe, Ballad of the Goodly Fere by Ezra Pound, Maude Claire
by Christina Rossetti, Danny Boy by Frederick Weatherly, When
Johnny Comes Marching Home by Patrick Gilmore, Greensleeves
Top Ten Rock/Pop Ballads: Unchained Melody by the
Righteous Brothers and as covered by Elvis Presley, Bridge Over Troubled
Water by Simon and Garfunkel, A Change is Gonna Come by Sam Cooke,
Hallelujah by Leonard Cohen and as covered by Jeff Buckley and K. D. Lang,
Nothing Compares 2 U by Prince and as covered by Sinead O'Connor,
All By Myself by Eric Carmen and as covered by Celine Dion, Without You
by Harry Nilsson and as covered by Mariah Carey, Wild Horses by the
Rolling Stones, Stairway to Heaven by Led Zeppelin, Bohemian
Rhapsody by Queen
Honorable Mention: Lucy Gray, or Solitude by William Wordsworth,
John Barleycorn: a Ballad by Robert Burns, The Lass that Made the Bed
to Me by Robert Burns, The Ballad of the Dark Ladie by Samuel
Taylor Coleridge, The Ballad of Moll Magee by William Butler Yeats,
A Ballad of Boding by Christina Rossetti, The Lady of Shallot by
Lord Alfred Tennyson, I Want to Know What Love Is by Foreigner,
Knocking on Heaven's Door by Bob Dylan and as covered by Guns'n'Roses,
I Will Always Love You by Dolly Parton and as covered by Whitney Houston,
Angie by the Rolling Stones, Let It Be by the Beatles
Our number one "power ballad" of all time is, tah-dah:
Tom O'Bedlam's Song. Harold
Bloom, perhaps the preeminent literary critic of our day, called it the "most
magnificent Anonymous poem in the language, a 'mad song' that surpasses Edgar's
snatches of song in King Lear, and the later lyrics in that genre by
William Blake, Sir Walter Scott and William Butler Yeats ... So extraordinary is
this chant that I cannot reread or recite it without thinking of Shakespeare ...
Simply on the basis of aesthetic splendor, it deserves to be Shakespeare's."
While I can't agree with Bloom that we should give credit for the poem to
Shakespeare just because it's so magnificent, I do agree with him that the poem
is magnificent. ― Michael R. Burch
Some of the best early poems in the English language are the ancient anonymous
ballads (see the entry for 1200). The ballad tradition was revived in modern
times by a number of famous Romantic poets, including Robert Burns and Sir
Walter Scott (both Scottish), William Wordsworth, Samuel Taylor Coleridge and
John Keats (all English), and Edgar Allan Poe (American).
950 — The Exeter Book may contain the first extant
English poems written by women:
Wulf and Eadwacer
The Wife's Lament.
Wulf and Eadwacer appears to be the first English poem with a refrain―a
hallmark of the ballad. Was the first English ballad written by a woman?
1200 — English
folk music has existed at least since the arrival of the Anglo-Saxons in Britain
circa 400 AD. The Venerable Bede's story of the cattleman and later
ecclesiastical musician Cædmon indicates that in the early medieval period it
was normal at feasts to pass around the harp and sing 'vain and idle songs.' It
is not easy to date the earliest popular ballads, but they clearly had become popular by
the close of the Middle English period. Because they were passed down orally,
some of them could be considerably older. Perhaps the best we can say is that
ballads mentioned here were probably composed sometime from 1200 to 1700: Sir
Patrick Spens (Spence), Edward, Lord Randal, Bonny Barbara Allan,
The Wife of
Usher's Well, The Unquiet Grave, The Three Ravens, The Douglas Tragedy,
Hamilton, The Bitter Withy, Lamkin, The Twa Sisters (The Two Sisters),
the Rhymer, The Knight and Shepherd's Daughter, Get Up and Bar the Door, Chevy Chase, The Cherry-Tree Carol,
Tam Lin, and the
many Robin Hood ballads.
From this point forward, we will try to use the best publication dates that we
have been able to find. Please keep in mind that a poem or song could have been
composed long before it was finally published.
1350 — In the ballad Robin and Gamelyn, Gamelyn's older brother cheats him of
his inheritance and becomes a sheriff. Roberte and Robin as a contraction
appear in the ballad. Robin is described as "good" and the bow is emphasised. The ballad
appear to involve Robin Hood.
The earliest surviving text of a Robin Hood ballad that employs the name "Robin
Hood" is the 15th century Robin Hood and the Monk. This is preserved in
Cambridge University manuscript Ff.5.48. Written after 1450, it contains many of
the elements still associated with the legend, from the Nottingham setting to
the bitter enmity between Robin and the local sheriff.
A reference in William Langland's Piers Plowman indicates that ballads about
Robin Hood were being sung from at least the late 14th century. Wynkyn de
Worde's collection of Robin Hood ballads was printed about 1495.
1600 — Sir Patrick Spens (Spence) is one of the most popular of the
so-called Child Ballads and is
of Scottish origin. It is a maritime ballad about a disaster at sea.
1620 — Tom O'Bedlam's Song
is published around this time, but could have been composed earlier.
The existence of a chorus suggests that the poem may originally have been sung
as a ballad. Harold Bloom has called it the best anonymous lyric in the English
language and has suggested Shakespeare as the author because the poem is so good―no,
make that so amazingly good. In my opinion, the poem is like Don Quixote
compressed into a few lines. If this poem doesn't stir something inside you,
well, you may be beyond hope!
1782 — Robert Burns, generally considered to be the greatest Scottish poet,
publishes John Barleycorn: a Ballad.
1782 — Rime of the Ancient Mariner by Samuel Taylor Coleridge appears
in the first edition of Lyrical Ballads, which becomes the primary text
of the English Romantic Movement.
1802 — Sir Walter Scott publishes the traditional Scottish ballad Lord
Randall in his book Minstrelsy of the Scottish Border.
1820 — La Belle Dame sans Merci by John Keats is published.
1849 — Annabel Lee by Edgar Allan Poe, an American poet, is published.
1889 — The Ballad of Moll Magee by William Butler Yeats, generally
considered to be the greatest Irish poet, is published.
1898 — The Ballad of Reading Gaol by Oscar Wilde is published. Wilde
actually did hard time in Reading Gaol, for the "crime" of being homosexual.
1909 — Ballad of the Goodly Fere by Ezra Pound is published. Pound was
one of the most influential poets of English modernism, along with his protégé
T. S. Eliot.
1954 — The Ballad of Davy Crockett is a song with music by George Bruns and lyrics by
Thomas W. Blackburn. It was introduced on ABC's television series Disneyland, in
the premiere episode of October 27, 1954. Fess Parker is shown performing the
song on a log cabin set, in frontiersman clothes, accompanied by similarly
attired musicians. The song would later be heard throughout the Disneyland
television miniseries Davy Crockett, first telecast on December 15, 1954. Parker
played the role of Davy Crockett and continued in four other episodes made by
Walt Disney Studios. Buddy Ebsen co-starred as
George "Georgie" Russel, and Jeff York played legendary boatman Mike Fink.
The theme song was originally performed by The Wellingtons. The
first album version was recorded by Bill Hayes,; it was quickly followed by versions by
Fess Parker and Tennessee Ernie Ford. All three versions made the Billboard
magazine charts in 1955: Hayes' version made #1 on the weekly chart and #7 for
the year, Parker's reached #6 on the weekly charts and #31 for the year, while
Ford's peaked at #4 on the weekly country chart and #5 on the weekly pop chart
and charted at #37 for the year. A fourth version, by bluegrass singer Mac
Wiseman, reached #10 on the radio charts in 1955. The song also reached #1 on
the Cash Box charts. A contemporary version also exists by the Western singing group
the Sons of the Pioneers. Over ten million copies of the song were sold. Members
of the Western Writers of America chose it as one of the Top 100 Western songs
of all time.
The quoted commentary below is by Serene Dominic, who writes about music for
Metro Times ...
1973 — Styx releases the first true power ballad! "Take the solemn seriousness
of ELP and Pink Floyd and marry it with the histrionics of community theater and
you’ve got Styx! Their chief weapon of surprise: Dennis DeYoung, who appears as
harmless as a carpet salesmen but has a silly streak that would gag Freddie
Mercury. He pens 'Lady,' which belatedly becomes a Top Ten hit two years later,
prompting DeYoung to include at least one 'intimate' love sonnet per album that
sounded as though it was being sung to his beloved from 150 rows away."
(Aerosmith is a closet contender with "Dream On" and its mystical vibe―we
should dream about something even though the "good Lord" is preparing to take us
away. Makes perfect sense!)
1974 — Paul Anka releases “(You’re) Having My Baby” and sets power ballads back
a year! "The 'My Way' composer still maintains that, had the megaton mix been
released instead of the sugary substitute that went to Number One, every metal
band of the ’80s would have had to bow down and make a hair extension love
offering to him."
1977 — Styx Creates the First Homoerotic Power Ballad! "The Chicagoons accrue a
second chief weapon of surprise—Tommy Shaw, the first credible recording artist
with braces since Jan Brady! Another reason Shaw never smiles for group photos—Dennis DeYoung takes the band into lad-baiting territory with 'Come Sail Away'
which he sings like Captain Bligh tryin’ to score! Ay-ay—yi yi yi!"
1978 — Journey morphs into Jefferson Starship without any Grace! "Steve Perry
joins the ranks and breaks power ballad tradition by singing to a province
instead of a chick on 'Lights' — Journey’s first power ballad to crack the Top
70. His insertion of a Sam Cooke yodel in every conceivable air pocket and
rampant mispronunciation of the word 'city' — so it sounds like he’s talking
about a piece of furniture — doesn’t sit well with Greg Rolie, the group’s
keyboard player and original vocalist, now reduced to one vocal per album like
Ringo. What a pit-tayyyy!"
1979 — Styx scores the first Number One power ballad with “Babe”! Journey hits
the Top 20 with “Lovin’, Touchin’, Squeezin’”! "For his winning, wussy efforts,
DeYoung is secretly ousted from Styx before being reinstated at double the silly
strength. Meanwhile on the Journey front, Greg Rolie gripes that singing 77 na
na’s or 154 individual na’s at the end of “Lovin’, Touchin’, Squeezin’” is
perhaps not the best use of a jazz-fusion rock group’s time. In retaliation,
Journey names its next album Departure in the hopes that Greg Rolie will take
the hint and leave. He does!
1980 — Styx unleashes the first power ballad-driven concept album. "How d’ya
make the Depression more depressing than it was the first time around? Stick
Styx in a time machine set for 1928 A.D. and people won’t even wait for the
stock market crash to start jumping out of windows. Whenever Dennis DeYoung
sings 'The Best of Times' from Paradise Theater, he navigates around the word
'honey' with all the uneasiness of a cloistered monk.
1981 — REO goes to Number One with “Keep On Loving You.” "And Kevin Cronin keeps
on writing it until fans don’t wanna keep on buying it. After 1987, the hits
stop completely. Behind the scenes, they tell themselves that it’s all Nirvana’s
1982 — Journey has three Top Ten power ballads from the Escape album!
1984-2002 — Everyone on planet Earth records a power ballad! "The timeline gets
admittedly fuzzy from here on, with everyone from Richard Marx to the Scorpions
to Bonnie Tyler to USA For Africa to Poison to Metallica to Nickelback diluting
the original recipe. The worst offender has to be Celine Dion, who actually injects
the word 'power' into every ballad, inspiring fear in the manner that only an
overly emotive nuclear reactor might."
But never fear, there are more power ballads to come, care of American Idol
(which kicked off in 2002) and other talent shows. Now the amateurs can belt out
power ballads, doing their best (or worst) imp-ressions
of Aretha Franklin, Elvis Presley, Frank Sinatra, Ray Charles, Little Richard,
Marvin Gaye, Al Green, Stevie Wonder, Gladys Knight, Diana Ross, Janis Joplin,
Neil Diamond, Ann Wilson, Freddy Mercury, Tina Turner, Meat Loaf, Peter Cetera,
Brian Adams, Air Supply, Toto, Wayne Newton, Huey Lewis, David Hasselhoff, Tiny
Tim, Peewee Herman, et al!